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ands, while among the last of them, who held the most honourable place, was set Memory, mother of the Muses, adorned with rich black draperies, and holding in the hand a little black dog, signifying the marvellous memory which that animal is said to have, and with the head-dress fantastically composed of the most different things, denoting the so many and so different things that the memory is able to retain. FIFTH CAR, OF JOVE. The great father of mankind and of the Gods, Jove, the son of Saturn, had the fifth car, ornate and rich in pomp beyond all the others; for, besides the five fables that were seen painted there, as with the others, it was rendered rich and marvellous beyond belief by three statues that served as most imposing partitions to those fables. By one of these was seen represented the image, such as it is believed to have been, of the young Epaphus, the son of Io and Jove, and by the second that of the lovely Helen, who was born from Leda at one birth with Castor and Pollux; even as by the last was represented that of the grandfather of the sage Ulysses, called Arcesius. For the first of the fables already mentioned was seen Jove transformed into a Bull, conveying the trusting Europa to Crete, even as for the second was seen his perilous rape as he flew to Heaven in the form of an Eagle with the Trojan Ganymede, and for the third his other transformation into fire when he wished to lie with the beautiful AEgina, daughter of Asopus. For the fourth was seen the same Jove, changed into a rain of gold, falling into the lap of his beloved Danae; and in the fifth and last he was seen delivering his father Saturn, who, as has been told above, was unworthily held prisoner by the Titans. In such and so adorned a car, then, and upon a most beautiful throne composed of various animals and of many gilded Victories, with a little mantle woven of divers animals and plants, the above-named great father Jove was seen seated in infinite majesty, with a garland of leaves similar to those of the common olive, and in the right hand a Victory crowned with a band of white wool, and in the left hand a royal sceptre, at the head of which was shown poised the imperial Eagle. At the foot of the throne, to render it more imposing and pompous, was seen on one side Niobe, with her children, dying by the shafts of Apollo and Diana, and on the other side seven men in combat, who were seen to have in their midst a boy with the h
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