or the train to come to a
stop at a time when, either on account of fog or similar impenetrable
mist, the ordinary signals would be of no use.
[Illustration: JERICHO.]
As to the train itself, that consists of a locomotive, which is a
complete model of an ordinary English engine. The steam is generated by
spirits, and the engine draws a couple of trucks and a passenger-car.
When the steam is up, and the train is started, the reverend gentleman
has to run his level best to get to the next station before the train,
otherwise it would be "missing." When it does arrive at its destination,
the fact is made known by an electric bell ringing automatically; and on
close inspection of the photograph of the Jericho station the electric
button may be seen at the end of the tracks inside the depot. On the
line between the stations there is a signal-box, with levers to work the
signals, as complete in its way as any signal-tower in existence; and,
as some one said who visited the line a short time ago, the only thing
that is lacking on the line is the stentorian call of the conductor,
"All tickets ready."
[Illustration: SIGNAL TOWER, AND ENGINE WITH SNOW-PLOUGH.]
The accompanying illustrations, which are taken from photographs made
especially for HARPER'S ROUND TABLE, are interesting in many ways. They
were taken during the last winter, when snow was on the ground, and when
experiments were being tried with a tiny snow-plough on the front of the
engine to see if the track could be cleared. One of the illustrations
shows the plough at work in the cutting; and, as any one may see, the
job is not a light one to clear the track at that spot. In one or two of
the illustrations interesting comparisons may be made as to the size of
the bridges and the train with some of the small shrubs which have
sprung up near the track; but such are the perfect proportions of the
model track, signals, and station that unless some such object is
compared with them or the size of the bricks in the wall is noted the
photographs might be those of a normal train taken from a great
distance.
[Illustration: THE CANTALEVER BRIDGE.]
The parts of the road representing masonry are not, of course, built of
true stones, but simply of boards painted to represent them. The
bridges, however, are sincere constructions in every part, each "timber"
being set in place by itself, and the whole construction made to rely on
its own strength, without any false supp
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