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or the train to come to a stop at a time when, either on account of fog or similar impenetrable mist, the ordinary signals would be of no use. [Illustration: JERICHO.] As to the train itself, that consists of a locomotive, which is a complete model of an ordinary English engine. The steam is generated by spirits, and the engine draws a couple of trucks and a passenger-car. When the steam is up, and the train is started, the reverend gentleman has to run his level best to get to the next station before the train, otherwise it would be "missing." When it does arrive at its destination, the fact is made known by an electric bell ringing automatically; and on close inspection of the photograph of the Jericho station the electric button may be seen at the end of the tracks inside the depot. On the line between the stations there is a signal-box, with levers to work the signals, as complete in its way as any signal-tower in existence; and, as some one said who visited the line a short time ago, the only thing that is lacking on the line is the stentorian call of the conductor, "All tickets ready." [Illustration: SIGNAL TOWER, AND ENGINE WITH SNOW-PLOUGH.] The accompanying illustrations, which are taken from photographs made especially for HARPER'S ROUND TABLE, are interesting in many ways. They were taken during the last winter, when snow was on the ground, and when experiments were being tried with a tiny snow-plough on the front of the engine to see if the track could be cleared. One of the illustrations shows the plough at work in the cutting; and, as any one may see, the job is not a light one to clear the track at that spot. In one or two of the illustrations interesting comparisons may be made as to the size of the bridges and the train with some of the small shrubs which have sprung up near the track; but such are the perfect proportions of the model track, signals, and station that unless some such object is compared with them or the size of the bricks in the wall is noted the photographs might be those of a normal train taken from a great distance. [Illustration: THE CANTALEVER BRIDGE.] The parts of the road representing masonry are not, of course, built of true stones, but simply of boards painted to represent them. The bridges, however, are sincere constructions in every part, each "timber" being set in place by itself, and the whole construction made to rely on its own strength, without any false supp
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