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eeper, deeper still;) p. 239: line indented to match others (Her pillow was the turret stone,) Archaic and inconsistent spelling and hyphenation have not been corrected. Inconsistencies between the Index and the rest of the text have also been left as in the original. As in the original, there are two different stories called "THE VENTRILOQUIST." Omitted lines of poetry on p. 195 are represented with a line of 23 asterisks in the plain text versions, as in the original. Short lines used as thought breaks on pp. 220 and 221 are represented with a line of 5 asterisks. In the plain text versions, two superscript t's with a dot below them in the caption of the Frontispiece are represented as plain letter t's, and oe-ligatures have been changed to oe. ------------------------------------------------------------------------ End of the Project Gutenberg EBook of Apparitions; or, The Mystery of Ghosts, Hobgoblins, and Haunted Houses Developed, by Joseph Taylor *** END OF THIS PROJECT GUTENBERG EBOOK APPARITIONS *** ***** This file should be named 31341.txt or 31341.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/3/4/31341/ Produced by Bryan Ness, S.D., and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is su
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