FREE BOOKS

Author's List




PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  
yde; A coronall on her hede sett, Her clothes with byrdes of gold were bette All about for pryde." [211] In St. Paul's in London there was formerly an amice adorned with the figures of two bishops and a king, hammered out of silver, and gilt. Dugdale, ed. 1818, p. 318. See also Rock, pp. xxix-xxxii. [212] Museum at Berne. [213] A piece of Venetian work to be seen at the South Kensington Museum is an altar frontal, worked in coral, gold beads, seed pearls, and spangles. All jewellers' work, including enamel, was much admired and introduced into their embroideries. (See Rock's Introduction to Catalogue of the Kensington Museum, pp. civ-cviii, ed. 1870.) [214] On this gorgeous piece of Italian art there are added a number of buttons (for we can give them no other name), with crosses and hearts under crystal, which seem to have belonged to another period and workmanship, or else are to be attributed to a superstitious feeling on the part of the maker, who placed these Christian signs, perhaps, surreptitiously, and for the good of his own soul. [215] The Museum of National Art at Munich has a fine collection of gold and silver, spangled, and black bead head-dresses, now mostly antiquated, though in peasant dress it yet survives. [216] It is embroidered in gold, with red silk and gems; and I have elsewhere said that it probably issued from the Hotel de Tiraz at Messina. [217] Terry, in his "Voyage to the East Indies," speaks of the rich carpets (p. 128): "The ground of some of these is silver or gold, about which such arabesques in flowers and figures as I have before named are most excellently disposed." [218] These of late years have been the most gorgeous objects at exhibitions of old needlework, and the ambition and despair of collectors. [219] Gold thread was also made of gilt paper, equally by the Moors and the Japanese. [220] In Aikin's "Life of James I.," p. 205, we have a curious account of the monopoly of gold thread, that had been granted, with others, to George Villiers, Duke of Buckingham. The thread was so scandalously debased with copper as to corrode the hands of the artificers, and even the flesh of those who wore it. This adulterated article they sold at an exorbitant price, and i
PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  



Top keywords:

Museum

 

silver

 

thread

 

gorgeous

 

Kensington

 

figures

 

carpets

 

speaks

 

Voyage

 

Indies


antiquated

 

dresses

 

flowers

 
arabesques
 

ground

 

embroidered

 
issued
 
peasant
 

survives

 

Messina


equally

 

scandalously

 
debased
 

copper

 

corrode

 

Buckingham

 

granted

 

George

 

Villiers

 

artificers


exorbitant

 

article

 

adulterated

 

monopoly

 

account

 

needlework

 

ambition

 

despair

 

collectors

 

exhibitions


objects

 

disposed

 

curious

 
Japanese
 

excellently

 

frontal

 

worked

 

Venetian

 
admired
 
introduced