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hat the neolithic civilization lingered in remote regions while the voice of Pericles was heard in Athens, and the name of Hannibal was a terror in Italy.--See Boyd Dawkins' "Early Man in Britain," p. 481. [19] See chapter on patterns. [20] In the Troad. [21] Some of the Egyptian arts we know are pre-Homeric (if Homer really sang 800 B.C.), and Asiatic art was then in its highest development. [22] See chapter on stitches, cut work (_post_). This funeral tent is a monumental work, inasmuch as the inscription inwrought on it gives us the name and title of her in whose honour it was made, and whose remains it covered. See Villiers Stewart's "Funeral Tent of an Egyptian Queen." [23] Herodotus, book ii. c. 182; book iii. c. 47 (Rawlinson's Trans.). See Rock's Introduction, p. xiv. [24] Homer mentions "Sidonian stuffs and Phoenician skill" (Iliad, v. 170); also "Sidonian Embroidery." Ibid. vi. 287-295. [25] The Assyrian designs are such as are now still worked at Benares, and being full of animals, they are called Shikurgah, or "happy hunting-grounds." See Sir G. Birdwood's "Industrial Arts of India," p. 236. See also Plate 4. [26] See Perrot and Chipiez (pp. 737-757); also Clermont Ganneau's Histoire de l'Art, "L'Imagerie Phenicienne," Plate 1, pt. 1. Coupe de Palestrina. He says that certain scenes from the "Shield of Achilles" are literally to be found on Phoenician vases that have come down to us--vases of which Homer himself must have seen some of analogous design. [27] Homer speaks of Sidonian embroideries, "Iliad," vi., 287-295. [28] See Egyptian fragments in the British Museum, and the specimens of Peruvian textiles; and Reiss and Stuebel's "Necropolis of Ancon in Peru." [29] At Cervetri, Dennis' "Etruria," ed. 1878, i. p. 268. [30] The restless activity of the Phoenicians has often helped to confuse our aesthetic knowledge, and has caused the waste of much speculation in ascertaining how certain objects of luxury, belonging to distant civilizations, can possibly have arrived at the places where we find them. [31] "The Beautiful Gate of the Temple was covered all over with gold. It had also golden vines above it, from which hung clusters of grapes as tall as a man's height.... It had gold
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