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t here I want to show you one of the most wonderful glass products of America," said he. "It is called Favril glass and is made at Coronna, Long Island. Just how, I do not know. The process is a secret one. You remember, don't you, the marvelous iridescent colors of the ancient Egyptian glass we saw in the British Museum? And you recall how exquisite was the turquoise glaze on some of the old pieces? Well, the Tiffany people have tried to imitate that, and so well have they succeeded that they have received many medals in recognition of their skill. Museums all over the world from Tokio to Christiania have purchased collections of the glass that it may be exhibited and enjoyed by young and old. I am going to show you some of it now." Up in an elevator they sped, and alighting at one of the upper floors Uncle Bob led the way into a room rich with silken hangings and rare oriental rugs; all about this room were vases, plates, lamp-shades, and ornaments of beautiful hues. There were great golden glass bowls glinting with elusive lights of violet, blue, and yellow; there were vases opalescent with burning flecks of orange and copper; there were green glass plates and globes which shaded into tones of blue as delicate as mother-of-pearl. "Oh!" sighed Jean rapturously, "I never saw anything so lovely! Look at these plates, Uncle Bob, do look at them. How ever did they get the color? It is like a sunset." "The Tiffanys, like Blaschka the flower modeler, are not telling the world how they get their results. Rest assured, however, many and many hours must have been spent in experiments before such artistic products could be obtained." "Think of the struggles with color and with firing," Giusippe murmured. "And the pieces that must have been spoiled!" put in Jean. "But think of the triumph of at last taking from the lehrs such gems as these! The results which air, soil, and age have by chance produced in the ancient Egyptian and Graeco-Syrian glass the Tiffanys have created in a modern ware. It is a great achievement, and a royal contribution to the art of the world." The children would have been glad to linger for a much longer time in the vast shop had not the chime of a clock warned them that the noon hour, when they were to meet Miss Cartright, was approaching. She had promised to lunch with them all at the Holland House. Yes, she looked just the same, "only prettier," Jean whispered to Giusippe. Certainly t
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