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ber, shouting "help," and so they ran from one studio to another. Before she disappeared, Milita stopped on the last doorsill, raising her gloved finger authoritatively: "To-morrow, the rest. You mustn't forget. Really, papa, this is very important. Good-by; I shall expect you to-morrow." And she disappeared, leaving in her father some of the merriment with which they had chased each other. The twilight was gloomy. Renovales sat in front of his wife's portrait, gazing at that extravagantly beautiful head which seemed to him the most faithful of his portraits. His thoughts were lost in the shadow which rose from the corners and enveloped the canvases. Only on the windows trembled a pale, hazy light, cut across by the black lines of the branches outside. Alone--alone forever. He had the affection of that big girl who had just gone away, merry, indifferent to everything which did not flatter her youthful vanity, her healthy beauty. He had the devotion of his friend Cotoner, who, like an old dog, could not live without seeing him, but was incapable of wholly devoting his life to him, and shared it between him and other friends, jealous of his Bohemian freedom. And that was all. Very little. On the verge of old age, he gazed at a cruel, reddish light which seemed to irritate his eyes; the solitary, monotonous road which awaited him--and at the end, death! No one was ignorant of that; it was the only certainty, and still he had spent the greater part of his life without thinking of it, without seeing it. It was like one of those epidemics in distant lands which destroy millions of lives. People talk of it as of a definite fact, but without a start of horror, or a tremble of fear. "It is too far away; it will take it a long time to reach us." He had often named Death, but with his lips; his thoughts had not grasped the meaning of the word, feeling that he was alive, bound to life by his dreams and desires. Death stood at the end of the road; no one could avoid meeting it, but all are long in seeing it. Ambition, desire, love, the cruel animal needs distracted man in his course toward it; they were like the woods, valleys, blue sky and winding crystal streams which diverted the traveler, hiding the boundary of the landscape, the fatal goal, the black bottomless gorge to which all roads lead. He was on the last days' march. The path of his life was growing desolate and gloomy; the vegetation was dwindling;
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