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well as physical anguish, and laughter denoted a mixed pleasurable feeling either in mind or body. There is a remarkable instance of this transference from the senses to the emotional feelings in the case of what is called sardonic laughter, in which a similar contortion of countenance to that caused by the pungency of a Sardinian herb is considered to denote a certain moral acerbity. Here there is an analogy established between the senses and emotions in their outward manifestation, just as there is in language in the double meaning of such terms as bitter and sweet. When we consider the fact that matter is that which gives, and mind that which receives impressions, or that our perceptions do not teach the nature of external things, but that of our own constitution, we shall admit that there is not such a fundamental difference between feelings derived from the sense of touch, and those coming through our other senses. But we must observe that there is a great practical difference between them, inasmuch as the one sense remains in its original primitive state, and is not cultivated as are the others. Physical laughter requires no previous experience, no exercise of judgment, and therefore has no connection with the intellectual powers of the mind. The lowest boor may laugh on being tickled, but a man must have intelligence to be amused by wit. The senses which are the least discriminating are the least productive of humour, little is derived from that of smell or of taste, though we may talk sometimes of an educated palate and an acquired taste. The finer organs of sight and hearing are the chief mediums of humour, but the sense of touch might by education be rendered exquisitely sensitive, and Dickens mentions the case of a girl he met in Switzerland who was blind, deaf, and dumb, but who was constantly laughing. Among infants, also, where very slight complication is required, the sense of humour can be excited by touch. Thus nurses will sing, "Brow brinky, eye winkey, nose noppy, cheek cherry, mouth merry," and greatly increase the little one's appreciation by, at the same time, touching the features named. Contact with other bodies occasions a sensation, and might, by degrees, awaken an emotion; and we might thus have such a sense of the ludicrous as that obtained through eye and ear, which is sometimes almost intuitive, and but slightly derived from reflection or experience. Of this kind is that aroused by the rap
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