FREE BOOKS

Author's List




PREV.   NEXT  
|<   1102   1103   1104   1105   1106   1107   1108   1109   1110   1111   1112   1113   1114   1115   1116   1117   1118   1119   1120   1121   1122   1123   1124   1125   1126  
1127   1128   1129   1130   1131   1132   1133   1134   1135   1136   1137   1138   1139   1140   1141   1142   1143   1144   1145   1146   1147   1148   1149   >>  
et has himself condemned, as you remember, in 'The Excursion,' long and persevering grief for objects of our love 'removed from this unstable world,' reminding one so sorrowing of 'that state Of pure, imperishable blessedness Which reason promises, and Holy Writ Ensures to all believers.' But, as if foreseeing his own case, he has added, with touching power, 'And if there be whose tender frames have drooped Even to the dust, apparently through weight Of anguish unrelieved, and lack of power An agonising sorrow to transmute; Deem not that proof is here of hope withheld When wanted most; a confidence impaired So pitiably, that having ceased to see With bodily eyes, they are borne down by love Of what is lost, and perish through regret.' The weakness of his bodily frame it was which took away his power of tranquil endurance. Bowed down by the weight of years, he had not strength to sustain this further burden, grief for a much-loved child. His mind, happily, retained its clearness, though his body was decaying. * * * * * He walked out into the entry with me, and then asked me to go again into the dining-room, to look at an oak chest or cabinet he had there--a piece of old furniture curiously carved. It bore a Latin inscription, which stated that it was made 300 years ago, for William Wordsworth, who was the son of, &c. &c. giving the ancestors of said William for many generations, and ending, 'on whose souls may God have mercy.' This Wordsworth repeated twice, and in an emphatic way, as he read the inscription. It seemed to me that he took comfort in the religious spirit of his ancestors, and that he was also adopting the solemn ejaculation for himself. There was something very impressive in his manner. I asked to see the cast from Chantrey's bust of him, which he at once showed me; also a crayon sketch by Haydon, which, I understood him to say, West had pronounced the finest crayon he had ever seen. He referred also to another sketch, by Margaret Gillies, I think, which was there. We then went out together on the lawn, and stood for a while to enjoy the views, and he pulled open the shrubbery or hedge in places, that I might see to better advantage. He accompanied me to the gate, and then said if I had a few minutes longer to spare he would like to show me the waterfall which was close by--the
PREV.   NEXT  
|<   1102   1103   1104   1105   1106   1107   1108   1109   1110   1111   1112   1113   1114   1115   1116   1117   1118   1119   1120   1121   1122   1123   1124   1125   1126  
1127   1128   1129   1130   1131   1132   1133   1134   1135   1136   1137   1138   1139   1140   1141   1142   1143   1144   1145   1146   1147   1148   1149   >>  



Top keywords:
bodily
 

ancestors

 

crayon

 

weight

 

sketch

 

William

 
Wordsworth
 
inscription
 

cabinet

 
repeated

emphatic

 

giving

 
curiously
 

carved

 

ending

 

generations

 

furniture

 

stated

 
pulled
 
shrubbery

places

 

waterfall

 
longer
 
accompanied
 

advantage

 

minutes

 

Gillies

 
impressive
 

manner

 

Chantrey


spirit

 

religious

 

adopting

 

solemn

 
ejaculation
 

referred

 
Margaret
 

finest

 
pronounced
 

Haydon


showed

 

understood

 

comfort

 
touching
 

foreseeing

 

Ensures

 

believers

 

tender

 

frames

 
agonising