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The Project Gutenberg eBook, The French Impressionists (1860-1900), by Camille Mauclair, Translated by P. G. Konady This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The French Impressionists (1860-1900) Author: Camille Mauclair Release Date: November 15, 2004 [eBook #14056] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE FRENCH IMPRESSIONISTS (1860-1900)*** E-text prepared by Juliet Sutherland, Linda Cantoni, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the lovely original illustrations. See 14056-h.htm or 14056-h.zip: (http://www.gutenberg.net/dirs/1/4/0/5/14056/14056-h/14056-h.htm) or (http://www.gutenberg.net/dirs/1/4/0/5/14056/14056-h.zip) THE FRENCH IMPRESSIONISTS (1860-1900) by CAMILLE MAUCLAIR Author of _L'art en Silence_, _Les Meres Sociales_, etc. Translated from the French text of Camille Mauclair, by P. G. Konody London: Duckworth & Co. New York: E. P. Dutton & Co. Turnbull and Spears, Printers, Edinburgh 1903 [Illustration: RENOIR AT THE PIANO] To AUGUSTE BREAL TO THE ARTIST AND TO THE FRIEND AS A MARK OF GRATEFUL AFFECTION C.M. AUTHOR'S NOTE It should be stated here that, with the exception of one reproduction after the Neo-Impressionist Van Rysselberghe, the other forty-nine engravings illustrating this volume I owe to the courtesy of M. Durand-Ruel, from the first the friend of the Impressionist painters, and later the most important collector of their works, a friend who has been good enough to place at our disposal the photographs from which our illustrations have been reproduced. Chosen from a considerable collection which has been formed for thirty years past, these photographs, none of which are for sale, form a veritable and unique museum of documents on Impressionist art, which is made even more valuable through the dispersal of the principal masterpieces of this art among the private collections of Europe and America. We render our thanks to M. Durand-Ruel no less in the name of the public intereste
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