nate House, the Theatre, and the Temple.

There were some exceptions to this rule, and we have records that during
the later years of Greek prosperity such simplicity was not observed.
Alcibiades is said to have been the first to have his house painted and
decorated, and Plutarch tells us that he kept the painter Agatharcus a
prisoner until his task was done, and then dismissed him with an
appropriate reward. Another ancient writer relates that "the guest of a
private house was enjoined to praise the decorations of the ceilings and
the beauty of the curtains suspended from between the columns." This
occurs, according to Mr. Perkins, the American translator of Dr. Falke's
German book "Kunst im Hause," in the "Wasps of Aristophanes," written B.C.
422.

The illustrations, taken from the best authorities in the British Museum,
the National Library of Paris, and other sources, shew the severe style
adopted by the Greeks in their furniture.

Roman Furniture.

As we are accustomed to look to Greek Art of the time of Pericles for
purity of style and perfection of taste, so do we naturally expect the
gradual demoralisation of art in its transfer to the great Roman Empire.
From that little village on the Palatine Hill, founded some 750 years
B.C., Rome had spread and conquered in every direction, until in the time
of Augustus she was mistress of the whole civilised world, herself the
centre of wealth, civilisation, luxury, and power. Antioch in the East and
Alexandria in the South ranked next to her as great cities of the world.

From the excavations of Herculaneum and Pompeii we have learned enough to
conceive some general idea of the social life of a wealthy Roman in the
time of Rome's prosperity. The houses had no upper story, but were formed
by the enclosure of two or more quadrangles, each surrounded by courts
opening into rooms, and receiving air and ventilation from the centre open
square or court. The illustration will give an idea of this arrangement.

In Mr. Hungerford Pollen's useful handbook there is a description of each
room in a Roman house, with its proper Latin title and purpose; and we
know from other descriptions of Ancient Rome that the residences in the
Imperial City were divided into two distinct classes--that of _domus_ and
_insula_, the former being the dwellings of the Roman nobles, and
corresponding to the modern _Palazzi_, while the latter were the
habitations of the middle and lower classes.