n in power."

The growth of the Roman Empire eastward, the colonisation of Oriental
countries, and subsequently the establishment of an Eastern Empire,
produced gradually an alteration in Greek design, and though, if we were
discussing the merits of design and the canons of taste, this might be
considered a decline, still its influence on furniture was doubtless to
produce more ease and luxury, more warmth and comfort, than would be
possible if the outline of every article of useful furniture were decided
by a rigid adherence to classical principles. We have seen that this was
more consonant with the public life of an Athenian; but the Romans, in the
later period of the Empire, with their wealth, their extravagance, their
slaves, their immorality and gross sensuality, lived in a splendour and
with a prodigality that well accorded with the gorgeous colouring of
Eastern hangings and embroideries, of rich carpets and comfortable
cushions, of the lavish use of gold and silver, and meritricious and
redundant ornament.

[Illustration: Roman Couch, Generally of Bronze. (_From an Antique Bas
relief._)]

This slight sketch, brief and inadequate as it is, of a history of
furniture from the earliest time of which we have any record, until from
the extraordinary growth of the vast Roman Empire, the arts and
manufactures of every country became as it were centralised and focussed
in the palaces of the wealthy Romans, brings us down to the commencement
of what has been deservedly called "the greatest event in history"--the
decline and fall of this enormous empire. For fifteen generations, for
some five hundred years, did this decay, this vast revolution, proceed to
its conclusion. Barbarian hosts settled down in provinces they had overrun
and conquered, the old Pagan world died as it were, and the new Christian
era dawned. From the latter end of the second century until the last of
the Western Caesars, in A.D. 476, it is, with the exception of a short
interval when the strong hand of the great Theodosius stayed the avalanche
of Rome's invaders, one long story of the defeat and humiliation of the
citizens of the greatest power the world has ever known. It is a vast
drama that the genius and patience of a Gibbon has alone been able to deal
with, defying almost by its gigantic catastrophes and ever raging
turbulence the pen of history to chronicle and arrange. When the curtain
rises on a new order of things, the age of Paganism has pa