s. "We have an unbroken record of books dating
from 1724, but we existed long anterior to this: all records were
destroyed during the Scottish Rebellion in 1745." The house originated in
Lancaster, which was then the chief port in the north, Liverpool not being
in existence at the time, and Gillows exported furniture largely to the
West Indies, importing rum as payment, for which privilege they held a
special charter. The house opened in London in 1765, and for some time the
Lancaster books bore the heading and inscription, "Adventure to London."
On the architect's plans for the premises now so well-known in Oxford
Street, occur these words, "This is the way to Uxbridge." Mr. Clarke's
information may be supplemented by adding that from Dr. Gillow, whom the
writer had the pleasure of meeting some years ago, and was the thirteenth
child of the Richard Gillow before mentioned; he learnt that this same
Richard Gillow retired in 1830, and died as late as 1866 at the age of 90.
Dowbiggin, founder of the firm of Holland and Sons, was an apprentice to
Richard Gillow.
Mahogany may be said to have come into general use subsequent to 1720,
and its introduction is asserted to have been due to the tenacity of
purpose of a Dr. Gibbon, whose wife wanted a candle box, an article of
common domestic use of the time. The Doctor, who had laid by in the garden
of his house in King Street, Covent Garden, some planks sent to him by his
brother, a West Indian captain, asked the joiner to use a part of the wood
for this purpose; it was found too tough and hard for the tools of the
period, but the Doctor was not to be thwarted, and insisted on
harder-tempered tools being found, and the task completed; the result was
the production of a candle box which was admired by every one. He then
ordered a bureau of the same material, and when it was finished invited
his friends to see the new work; amongst others, the Duchess of Buckingham
begged a small piece of the precious wood, and it soon became the fashion.
On account of its toughness, and peculiarity of grain, it was capable of
treatment impossible with oak, and the high polish it took by oil and
rubbing (not French polish, a later invention), caused it to come into
great request. The term "putting one's knees under a friend's mahogany,"
probably dates from about this time.
[Illustration: Kneehole Table, by Sheraton.]
Thomas Sheraton, who commenced work some 20 years later than Chippendale,
an
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