. He
has been represented no less than three times in various parts of the
building. About midway up one of the towers, his statue appears in
a niche, where pigeons strut and prink their feathers, undisturbed.
Charlemagne is sitting with a mighty two-edged sword upon his knees, and
a gilded crown upon his head; but the figure is badly proportioned, and
the statue is a good-natured, stumpy affair, that makes one smile rather
than admire. The outside of the minster still shows traces of the image
breakers of Zwingli's time, and yet the crumbling north portal remains
beautiful, even in decay. As for the interior, it has an exceedingly
bare and stript appearance; for, altho' there is good, solid stonework
in the walls, the whole has been washed a foolish, Philistine white. The
Romanesque of the architectural is said to be of particular interest to
connoisseurs, and the queer archaic capitals must certainly attract the
notice even of ordinary tourists....
It is also worth while to go to the Helmhaus, and examine the collection
of lake-dwelling remains. In fact, there is a delightful little model of
a lake-dwelling itself, and an appliance to show you how those primitive
people could make holes in their stone implements, before they knew the
use of metals. The ancient guild houses of Zurich are worth a special
study. Take, for instance, that of the "Zimmerleute," or carpenter with
its supporting arches and little peaked tower; or the so-called "Waag,"
with frescoed front; then the great wainscoated and paneled hall of the
"schmieden" (smiths); and the rich Renaissance stonework of the "Maurer"
(masons). These buildings, alas, with the decay of the system which
produced them, have been obliged to put up big signs of Cafe Restaurant
upon their historic facades, like so many vulgar, modern eating-houses.
The Rathhaus, or Town Hall, too, is charming. It stands, like the
Wasserkirche, with one side in the water and the other against the quay.
The style is a sort of reposeful Italian Renaissance, that is florid
only in the best artistic sense. Nor must you miss the so-called
"Rueden," nearby, for its sloping roof and painted walls give it a very
captivating look of alert picturesqueness, and it contains a large
collection of Pestalozzi souvenirs.
Zurich has more than one claim to the world's recognition; but no
department of its active life, perhaps, merits such unstinted praise as
its educational facilities. First and foremos
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