nfrequent in
England.

The central tower with its tall steeple now encased in scaffolding was
built in 1470 by Cardinal Balue, Bishop of Evreux and inventor of the
fearful wooden cages in one of which the prisoner Dubourg died at Mont St
Michel.

In most of the windows there is old and richly coloured glass; those in the
chancel have stronger tones, but they all transform the shafts of light
into gorgeous rainbow effects which stand out in wonderful contrast to the
delicate, creamy white of the stone-work. Pale blue banners are suspended
in the chancel, and the groining above is coloured on each side of the
bosses for a short distance, so that as one looks up the great sweep of the
nave, the banners and the brilliant fifteenth century glass appear as vivid
patches of colour beyond the uniform, creamy grey on either side. The
Norman towers at the west end of the cathedral are completely hidden in the
mask of classical work planted on top of the older stone-work in the
sixteenth century, and more recent restoration has altered some of the
other features of the exterior. At the present day the process of
restoration still goes on, but the faults of our grandfathers fortunately
are not repeated.

Leaving the Place Parvis by the Rue de l'Horloge you come to the great open
space in front of the Hotel de Ville and the theatre with the museum on the
right, in which there are several Roman remains discovered at Vieil-Evreux,
among them being a bronze statue of Jupiter Stator. On the opposite side of
the Place stands the beautiful town belfry built at the end of the
fifteenth century. There was an earlier one before that time, but I do not
know whether it had been destroyed during the wars with the English, or
whether the people of Evreux merely raised the present graceful tower in
place of the older one with a view to beautifying the town. The bell, which
was cast in 1406 may have hung in the former structure, and there is some
fascination in hearing its notes when one realises how these same sound
waves have fallen on the ears of the long procession of players who have
performed their parts within its hearing. A branch of the Iton runs past
the foot of the tower in canal fashion; it is backed by old houses and
crossed by many a bridge, and helps to build up a suitable foreground to
the beautiful old belfry, which seems to look across to the brand new Hotel
de Ville with an injured expression. From the Boulevard Chambaudouin t