FREE BOOKS

Author's List




PREV.   NEXT  
|<   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292  
293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   >>   >|  
y know that no animal at birth is mature or perfect in intelligence; and in the intermediate period, in which he has not yet acquired his own proper sense, he rages and roars without rhyme or reason; and when he has once got on his legs he jumps about without rhyme or reason; and this, as you will remember, has been already said by us to be the origin of music and gymnastic. CLEINIAS: To be sure, I remember. ATHENIAN: And did we not say that the sense of harmony and rhythm sprang from this beginning among men, and that Apollo and the Muses and Dionysus were the Gods whom we had to thank for them? CLEINIAS: Certainly. ATHENIAN: The other story implied that wine was given man out of revenge, and in order to make him mad; but our present doctrine, on the contrary, is, that wine was given him as a balm, and in order to implant modesty in the soul, and health and strength in the body. CLEINIAS: That, Stranger, is precisely what was said. ATHENIAN: Then half the subject may now be considered to have been discussed; shall we proceed to the consideration of the other half? CLEINIAS: What is the other half, and how do you divide the subject? ATHENIAN: The whole choral art is also in our view the whole of education; and of this art, rhythms and harmonies form the part which has to do with the voice. CLEINIAS: Yes. ATHENIAN: The movement of the body has rhythm in common with the movement of the voice, but gesture is peculiar to it, whereas song is simply the movement of the voice. CLEINIAS: Most true. ATHENIAN: And the sound of the voice which reaches and educates the soul, we have ventured to term music. CLEINIAS: We were right. ATHENIAN: And the movement of the body, when regarded as an amusement, we termed dancing; but when extended and pursued with a view to the excellence of the body, this scientific training may be called gymnastic. CLEINIAS: Exactly. ATHENIAN: Music, which was one half of the choral art, may be said to have been completely discussed. Shall we proceed to the other half or not? What would you like? CLEINIAS: My good friend, when you are talking with a Cretan and Lacedaemonian, and we have discussed music and not gymnastic, what answer are either of us likely to make to such an enquiry? ATHENIAN: An answer is contained in your question; and I understand and accept what you say not only as an answer, but also as a command to proceed with gymnastic. CLEINIAS: You quit
PREV.   NEXT  
|<   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292  
293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   >>   >|  



Top keywords:

CLEINIAS

 

ATHENIAN

 

movement

 

gymnastic

 

proceed

 
answer
 

discussed

 

rhythm

 
choral
 

subject


remember
 
reason
 

ventured

 

regarded

 
termed
 

dancing

 

amusement

 

harmonies

 

educates

 
reaches

peculiar

 

gesture

 
simply
 

animal

 

extended

 

common

 
excellence
 

enquiry

 
Lacedaemonian
 
contained

command

 

accept

 
question
 

understand

 

Cretan

 

talking

 

Exactly

 

called

 

training

 
rhythms

scientific

 

completely

 

friend

 

pursued

 

period

 
Certainly
 

implied

 

revenge

 

origin

 
sprang