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On Saturdays the great market, silent and deserted for six nights in the week, was a debauch of sound and colour and smell. Strange, pungent odours assailed the nostrils; the ear was surprised with the sharp, broken cries of dealers, the cackle of poultry, and the murmur of innumerable voices; the stalls, splashed with colour, astonished the eye like a picture, immensely powerful, immensely crude. The long rows of stalls were packed with the drift and refuse of a great City. For here the smug respectability of the shops were cast aside, and you were deep in the romance of traffic in merchandise fallen from its high estate--a huge welter and jumble of things arrested in their ignoble descent from the shops to the gutter. At times a stall was loaded with the spoils of a sunken ship or the loot from a city fire, and you could buy for a song the rare fabrics and costly dainties of the rich, a stain on the cloth, a discoloured label on the tin, alone giving a hint of their adventures. Then the people hovered round like wreckers on a hostile shore, carrying off spoil and treasure at a fraction of its value, exulting over their booty like soldiers after pillage. There was no caprice of the belly that could not be gratified, no want of the naked body that could not be supplied in this huge bazaar of the poor, but its cost had to be counted in pence, for those who bought in the cheapest market came here. A crowd of women and children clustered like flies round the lolly stall brought Chook to a standstill; the trays heaped with sweets coloured like the rainbow, pleased his eye, and, remembering Ada's childish taste for lollies, he thought suddenly of her friend, Pinkey the red-haired, and smiled. Near at hand stood a collection of ferns and pot-plants, fresh and cool, smelling of green gardens and moist earth. Over the way, men lingered with serious faces, trying the edge of a chisel with their thumb, examining saws, planes, knives, and shears with a workman's interest in the tools that earn his bread. Chook stopped to admire the art gallery, gay with coloured pictures from the Christmas numbers of English magazines. On the walls were framed pictures of Christ crucified, the red blood dropping from His wounds, or the old rustic bridge of an English village, crude as almanacs, printed to satisfy the artistic longings of the people. Opposite, a cock crowed in defiance; the hens cackled loudly in the coops; th
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