fortified camp at Avignon, through a country in which that
crafty general had destroyed every article of human food, except the half-
ripe grapes. He saw, perhaps, the Spanish soldiers, poisoned alike by
the sour fruit and by the blazing sun, falling in hundreds along the
white roads which led back into Savoy, murdered by the peasantry whose
homesteads had been destroyed, stifled by the weight of their own armour,
or desperately putting themselves, with their own hands, out of a world
which had become intolerable. Half the army perished. Two thousand
corpses lay festering between Aix and Frejus alone. If young Vesalius
needed "subjects," the ambition and the crime of man found enough for him
in those blazing September days.

He went to Italy, probably with the remnants of the army. Where could he
have rather wished to find himself? He was at last in the country where
the human mind seemed to be growing young once more; the country of
revived arts, revived sciences, learning, languages; and--though, alas!
only for awhile of revived free thought, such as Europe had not seen
since the palmy days of Greece. Here at least he would be appreciated;
here at least he would be allowed to think and speak: and he was
appreciated. The Italian cities, who were then, like the Athenians of
old, "spending their time in nothing else save to hear or to tell
something new," welcomed the brave young Fleming and his novelties.
Within two years he was professor of anatomy at Padua, then the first
school in the world; then at Bologna and at Pisa at the same time; last
of all at Venice, where Titian painted that portrait of him which remains
unto this day.

These years were for him a continual triumph; everywhere, as he
demonstrated on the human body, students crowded his theatre, or hung
round him as he walked the streets; professors left their own
chairs--their scholars having deserted them already--to go and listen
humbly or enviously to the man who could give them what all brave souls
throughout half Europe were craving for, and craving in vain--facts. And
so, year after year, was realised that scene which stands engraved in the
frontispiece of his great book--where, in the little quaint Cinquecento
theatre, saucy scholars, reverend doctors, gay gentlemen, and even cowled
monks, are crowding the floor, peeping over each other's shoulders,
hanging on the balustrades; while in the centre, over his "subject"--which
one of those same