FREE BOOKS

Author's List




PREV.   NEXT  
|<   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73  
74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   >>   >|  
prelate, St. Dunstan, Archbishop of Canterbury, designed embroideries for the execution of pious ladies of his diocese (924 A.D.). Emma, Queen of Ethelred the Unready, and afterwards of Canute, designed and embroidered many church vestments and altar-cloths, and Editha, wife of Edward the Confessor, embroidered the King's coronation mantle. The great and monumental Bayeux tapestry--which is miscalled, as it is _embroidery_--was the work of Queen Matilda, who, like Penelope, wove the mighty deeds of her husband and king in an immense embroidery. This piece of needlecraft comes upon us as a shock, rather than an admiration, after the exquisite embroideries worked by and for the Church. It is interesting, however, as a valuable historic "document," showing the manners and customs of the time. The canvas is 227 feet long and 20 inches wide, and shows events of English history from the accession of Edward the Confessor to the defeat of Harold, at Hastings. It is extremely crude; no attempt is made at shading, the figures being worked in flat stitch in coloured wools, on linen canvas. Certainly it is one of the quaintest and most primitive attempts of working pictures by needlecraft. The evidence of the costumes, the armour, &c., are supposed to tell us that this tapestry was worked many years after the Conquest, but it can be traced by documentary evidence as having been seen in Bayeux Cathedral as far back as 1476. In the time of Napoleon I. it was removed from the cathedral and was actually used as a covering for a transport waggon. Finally, however, it was exhibited in the Musee Napoleon, in 1803, and was afterwards returned to Bayeux. In 1840 it was restored and relined, and is now in the Hotel de Ville at Bayeux! [Illustration: KING HAROLD. (_From the Bayeux Tapestry._)] II THE GREAT PERIOD OF EMBROIDERY II THE GREAT PERIOD OF EMBROIDERY "Opus Anglicanum"--The Worcester fragments--St. Benedict--Legend of Pope Innocent--The "Jesse" cope--The "Syon" cope. The great period of English embroidery is supposed to have been from the twelfth to the thirteenth century. Very little remains to show this, except a few fragments of vestments from the tombs of the bishops dating from the twelfth and thirteenth centuries, and other data obtained from various foreign inventories of later date referring to the use of "Opus Anglicanum." Some portion of the Worcester fragments may be se
PREV.   NEXT  
|<   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73  
74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   >>   >|  



Top keywords:
Bayeux
 

worked

 

embroidery

 

fragments

 

needlecraft

 
Worcester
 

PERIOD

 

Anglicanum

 

Napoleon

 

evidence


supposed

 

English

 

canvas

 

twelfth

 
EMBROIDERY
 

embroidered

 

vestments

 
Edward
 
designed
 

tapestry


embroideries
 

Confessor

 
thirteenth
 

referring

 

cathedral

 

removed

 

Finally

 

exhibited

 

waggon

 

transport


covering

 
traced
 
documentary
 

portion

 

Conquest

 

Cathedral

 

relined

 

remains

 

Benedict

 

bishops


armour

 

Legend

 

century

 

period

 
Innocent
 

dating

 

centuries

 
restored
 
inventories
 

foreign