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l wife, that Mrs. Parflete was the one child of their union, kept the whole aristocratic assembly thrilled with the sense of taking part in something as distinguished as a Court function, as exciting as a Court scandal, and as bewildering as a Court conspiracy. A string orchestra--conducted by Strauss himself--played French melodies of the eighteenth century. Would there be any dancing? would she sing? Henriette Duboc had been compared, as a dancer, to La Guimard, said Sir Piers Harding to the Duchess of Lossett. And who was La Guimard? asked the Duchess. And was Mrs. Parflete at all like her mother? And did she bear the extraordinary resemblance, _of which so much had been made_, to Marie Antoinette? Sir Piers felt bound to own that the likeness was remarkable. And this de Hausee--what of him? Had Sir Piers seen the odd announcement, about his name and antecedents, in the _Times_? The Duchess didn't know what to think. It was all so very odd, but most interesting, of course. Was M. de Hausee, by any chance, in the audience? No. Well, perhaps it was better taste on his part to keep away. The bell rang. All eyes turned toward the blue satin curtains; they moved: the lights were lowered; the violins played a languorous air: with a rustle--not unlike that caused by the movement of wings--the curtains were drawn back and disclosed an empty garden. Then, following the stage direction, the Marquise entered "_tristement sur la scene_." The entrance was made quietly, and, for a breathless second, no one realised that the heroine of the evening had at last appeared. Her Grace of Lossett began to fear she felt a little disappointed when, in the nick of time, a great poet, who sat near her, murmured, "Divine." But at this point we may quote from the _Memoirs_ of Lady Julia Babington:-- _Mrs. Parflete's personal appearance caused an immediate furore. Many disagreed about her claims to perfect beauty, but these hostile feelings did not last longer than five minutes. She was an extremely pretty woman; rather tall for her slight proportions, but elegant to a surprising degree. The extraordinary charm of her acting, her voice, her countenance, and her accent were delightful. It would have been impossible to display more grace, simplicity, and ingenuousness than she did: she gave several touches of pathos in a manner to make one cry, and to quite enchant all who bad taste enough and m
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