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onvinced him that there had been a mistake about Belvane's feelings for him, and that he could leave for Araby in perfect safety. "You must come and see us again," said Merriwig heartily, as he shook him by the hand. "Yes, do," said Hyacinth. There are two ways of saying this sort of thing, and theirs was the second way. So was Udo's, when he answered that he would be delighted. It was just a week later that the famous double wedding was celebrated in Euralia. As an occasion for speech-making by King Merriwig and largesse-throwing by Queen Belvane it demanded and (got) a whole chapter to itself in Roger's History. I have Roger on my side at last. The virtues he denied to the Countess he cannot but allow to the Queen. Nor could Hyacinth resist her any longer. Belvane upon her palfrey, laughter in her eyes and roses in her cheeks, her lips slightly parted with eagerness as she flings her silver to the crowd, adorably conscious of her childishness and yet glorifying in it, could have no enemies that day. "She is a dear," said Hyacinth to Coronel. "She will make a wonderful Queen." "I know a Queen worth two of her," said Coronel. "But you do admire her, don't you?" "Not particularly." "Oh, Coronel, you must," said Hyacinth, but she felt very happy all the same. They rode off the next day to their kingdom. The Chancellor had had an exciting week; for seven successive evenings he had been extremely mysterious and reserved to his wife, but now his business was finished and King Merriwig reigned over Eastern Euralia and King Coronel over the West. Let us just take a look at Belvane's diary before we move on to the last scene. "_Thursday, September 15th_," it says. "_Became good._" Now for the last scene. King Merriwig sat in Belvane's garden. They had spent the morning revising their joint book of poetry for publication. The first set of verses was entirely Merriwig's own. It went like this: _Bo, boll, bill, bole._ _Wo, woll, will, wole._ A note by the authors called attention to the fact that it could be begun from either end. The rest of the poems were mainly by Belvane, Merriwig's share in them consisting of a "Capital," or an "I like that," when they were read out to him; but an epic commonly attributed to Charlotte Patacake had crept in somehow. "A person to see your Majesty," said a flunkey, appearing suddenly. "What sort of person?" asked M
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