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ad and widespread) and spelling (e.g. toward and towards) between stories have not been changed. The following errors have been corrected: -Pg. vi: semi-colon to comma (so familiar to us that,) -Pg. 72: proposes to proposed (Mr. George proposed) -Pg. 101: street to sheet (damp and dirty sheet, was almost ... ) -Pg. 104: Missing period added (VI.) -Pg. 111: repentence to repentance -Pg. 112: Coloned to Colonel -Pg. 125: effiulgent to effulgent -Pg. 145: so to to (been to see them lately) -Pg. 153: neckless to necklace -Pg. 186: was to with (an open fireplace with a low wooden mantel) -Pg. 187: he to she (if by so doing she could) -Pg. 207: collegate-mate to college-mate -Pg. 209: open quote added ("When Felice was a little more ...") -Pg. 239: lanquor to langour -Pg. 271: Nuthin.' to Nuthin'. -Pg. 272: Religon to Religion -Pg. 278: semed to seemed -Pg. 281: decidedely to decidedly -Pg. 289: loeked to looked -Pg. 300: janior to janitor For this ASCII version, several accents and ligatures have been removed: accent aigu: Felix, Felice (1st e), Felice's, cafe, Cafe, cafes, debris, decedee (x3), epouse (1st e), Felicite (x2); accent grave: mere, Mere, a (also a in bric-a-brac), negre, Sevres; accent aigu and accent grave: Helene, etagere; accent grave (e) and circumflex (a): age; circumflex: l'age, bete (1st e), crepe-myrtle, crepe-myrtles (1st e); ae-ligature: aegis, anaesthesia; o-umlaut: Hoelle, Goettingen; u-umlaut: Gruess, fruehen, Muehlehorn. ---------------------------------------------------------------------- End of Project Gutenberg's Shapes that Haunt the Dusk, by Various *** END OF THIS PROJECT GUTENBERG EBOOK SHAPES THAT HAUNT THE DUSK *** ***** This file should be named 27352.txt or 27352.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/3/5/27352/ Produced by David Edwards, S.D. and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright roya
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