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ed the imagination of Tennyson. And his attitude is still further apart from the intellectual tendencies discernible at the present moment in pure literature, which is now less concerned, we think, with these questions than when Mr. Arnold wrote _Literature and Dogma_, and seems more disposed to leave theology in the hands of the physical scientists and the professional metaphysicians. However this may be, it is to be seriously regretted that Mr. Swinburne's peremptory, unscrupulous manner of dealing with religious forms and beliefs which the world, perhaps, would not unwillingly let die, though by painless extinction rather than by violence, has alienated reverent minds from him, and has tarnished the brilliancy of his strenuous verse. The sensuous frenzy of his juvenile poems is still remembered against him; it betrayed a lack of moral dignity, of what the Greek poets, whom he so much admired, meant by the word [Greek: aidos]. But we very willingly acknowledge that of these excesses hardly a trace is to be found in the very numerous pieces that fill the later volumes of his collected poetry. From these causes it has resulted that Mr. Swinburne does not, in our opinion, now hold the position or command the influence which would otherwise be accorded to one who may be reckoned the chief lyrical poet of the second half of the nineteenth century; for after the publication, in 1855, of _Maud_, Tennyson had passed his lyrical climax, and Mr. Swinburne's superiority, as a lyrist, over all other writers of that period is incontestable. His neo-paganism, moreover, jars upon the realistic modernity of a generation for whom primitive symbolism is obsolete as a form of expression, and whose prevailing thought is too profoundly rationalistic to be attracted by a pagan paradise. All this is to be regretted, since Mr. Swinburne undoubtedly has the pagan virtues. His aspirations are concentrated on ideals that ennoble the present life, on justice, inflexible courage, patriotism, the unsophisticated intelligence; he loves liberty and he hates oppression in all their shapes. He is throughout an optimist, who believes and predicts that a clearer and brighter prospect is before humanity. To Mr. Swinburne, in short, may be applied the words with which Matthew Arnold summed up his essay upon Heine: 'He is not an adequate interpreter of the modern world; he is a brilliant soldier in the liberation war of humanity.' And future generations
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