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whether, possibly, your disappearance could have had any such connection with Mary's death--it followed it so immediately. I wondered sometimes whether, perhaps, you had cared for her. But I couldn't believe it--it was only because the two things happened one upon the other. Oh, why didn't you tell her? It is dreadful, dreadful!' IV. When he had left her, she sat still for a little while before the fire. 'Life is a chance to make mistakes--a chance to make mistakes. Life is a chance to make mistakes.' It was a phrase she had met in a book she was reading the other day: then she had smiled at it; now it rang in her ears like the voice of a mocking demon. 'Yes, a chance to make mistakes,' she said, half aloud. She rose and went to her desk, unlocked a drawer, turned over its contents, and took out a letter--an old letter, for the paper was yellow and the ink was faded. She came back to the fireside, and unfolded the letter and read it. It covered six pages of note-paper, in a small feminine hand. It was a letter Mary Isona had written to her, Margaret Kempton, the night before she died, more than thirty years ago. The writer recounted the many harsh circumstances of her life; but they would all have been bearable, she said, save for one great and terrible secret. She had fallen in love with a man who was scarcely conscious of her existence; she, a little obscure Italian music teacher, had fallen in love with Theodore Vellan. It was as if she had fallen in love with an inhabitant of another planet: the worlds they respectively belonged to were so far apart She loved him--she loved him--and she knew her love was hopeless, and she could not bear it. Oh, yes; she met him sometimes, here and there, at houses she went to to play, to give lessons. He was civil to her: he was more than civil--he was kind; he talked to her about literature and music. 'He is so gentle, so strong, so wise; but he has never thought of me as a woman--a woman who could love, who could be loved. Why should he? If the moth falls in love with the star, the moth must suffer.... I am cowardly; I am weak; I am what you will; but I have more than I can bear. Life is too hard--too hard. To-morrow I shall be dead. You will be the only person to know why I died, and you will keep my secret.' 'Oh, the pity of it--the pity of it!' murmured Mrs. Kempton. 'I wonder whether I ought to have shown him Mary's letter.' WHEN I AM KING '_Qu'y
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