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l life he would have broken down in a week. Granting the high improbability of Lovelace as a real living human being, it must be admitted that he has every merit but that of existence. The letters which he writes are the most animated in the voluminous correspondence. The respectable domestic old printer, who boasted of the perfect purity of his own life, seems to have thrown himself with special gusto into the character of a heartless reprobate. He must have felt a certain piquancy in writing down the most atrocious sentiments in his own respectable parlour. He would show that the quiet humdrum old tradesman could be on paper as sprightly and audacious as the most profligate man about town. As quiet people are apt to do, he probably exaggerated the enormities which such men would openly avow; he fancied that the world beyond his little circle was a wilderness of wild beasts who could gnash their teeth and show their claws after a terribly ostentatious fashion in their own dens; they doubtless gloated upon all the innocent sheep whom they had devoured without any shadow of reticence. And he had a fancy that, in their way, they were amusing monsters too; Lovelace is a lady's villain, as Grandison is a lady's hero; he is designed by a person inexperienced even in the observation of vice. Indeed, he would exaggerate the charm a good deal more than the atrocity. We must also admit that when the old printer was put upon his mettle he could be very lively indeed. Lovelace, like everybody else, is at times unmercifully prolix; he never leaves us to guess any detail for ourselves; but he is spirited, eloquent, and a thoroughly fine gentleman after the Chesterfield type. 'The devil take such fine gentlemen!' exclaims somebody; and if he does not, I see little use (to quote the proverbial old lady) in keeping a devil. But, as Johnson observed, a man may be very wicked and 'very genteel.' Richardson lectures us very seriously on the evil results which are sure to follow bad courses; but he evidently holds in his heart that, till the Nemesis descends, the libertines are far the most amusing part of the world. In Sir Charles Grandison's company, we should be treated to an intolerable deal of sermonising, with an occasional descent into the regions of humour--but the humour is always admitted under protest. With Lovelace we might hear some very questionable morality, but there would be a never-ceasing flow of sparkling witticisms. T
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