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good Queen Anne, when Cato still appeared with a Long wig, flowered gown, and lacquered chair. Pope's literary criticism, too, though verging too often on the commonplace, is generally sound as far as it goes. If, as was inevitable, he was blind to the merits of earlier schools of poetry, he was yet amongst the first writers who helped to establish the rightful supremacy of Shakespeare. But in what way does Pope apply his good sense to morality? His favourite doctrine about human nature is expressed in the theory of the 'ruling passion' which is to be found in all men, and which, once known, enables us to unravel the secret of every character. As he says in the 'Essay on Man'-- On life's vast ocean diversely we sail, Reason the card, but passion is the gale. Right reason, therefore, is the power which directs passions to the worthiest end; and its highest lesson is to enforce The truth (enough for man to know) Virtue alone is happiness below. The truth, though admirable, may be suspected of commonplace; and Pope does not lay down any propositions unfamiliar to other moralists, nor, it is to be feared, enforce them by preaching of more than usual effectiveness. His denunciations of avarice, of corruption, and of sensuality were probably of little more practical use than his denunciation of dulness. The 'men not afraid of God' were hardly likely to be deterred from selling their votes to Walpole by fear of Pope's satire. He might Goad the Prelate slumbering in his stall sufficiently to produce the episcopal equivalent for bad language; but he would hardly interrupt the bishop's slumbers for many moments; and, on the whole, he might congratulate himself, rather too cheaply, on being animated by The strong antipathy of good to bad. Without exaggerating its importance, however, we may seek to define the precise point on which Pope's morality differed from that of many other writers who have expressed their general approval of the ten commandments. A healthy strain of moral feeling is useful, though we cannot point to the individuals whom it has restrained from picking pockets. The defective side of the morality of good sense is, that it tends to degenerate into cynicism, either of the indolent variety which commended itself to Chesterfield, or of the more vehement sort, of which Swift's writings are the most powerful embodiment. A shrewd man of the world, of pl
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