good
Queen Anne, when Cato still appeared with a
Long wig, flowered gown, and lacquered chair.
Pope's literary criticism, too, though verging too often on the
commonplace, is generally sound as far as it goes. If, as was
inevitable, he was blind to the merits of earlier schools of poetry, he
was yet amongst the first writers who helped to establish the rightful
supremacy of Shakespeare.
But in what way does Pope apply his good sense to morality? His
favourite doctrine about human nature is expressed in the theory of the
'ruling passion' which is to be found in all men, and which, once known,
enables us to unravel the secret of every character. As he says in the
'Essay on Man'--
On life's vast ocean diversely we sail,
Reason the card, but passion is the gale.
Right reason, therefore, is the power which directs passions to the
worthiest end; and its highest lesson is to enforce
The truth (enough for man to know)
Virtue alone is happiness below.
The truth, though admirable, may be suspected of commonplace; and Pope
does not lay down any propositions unfamiliar to other moralists, nor,
it is to be feared, enforce them by preaching of more than usual
effectiveness. His denunciations of avarice, of corruption, and of
sensuality were probably of little more practical use than his
denunciation of dulness. The 'men not afraid of God' were hardly likely
to be deterred from selling their votes to Walpole by fear of Pope's
satire. He might
Goad the Prelate slumbering in his stall
sufficiently to produce the episcopal equivalent for bad language; but
he would hardly interrupt the bishop's slumbers for many moments; and,
on the whole, he might congratulate himself, rather too cheaply, on
being animated by
The strong antipathy of good to bad.
Without exaggerating its importance, however, we may seek to define the
precise point on which Pope's morality differed from that of many other
writers who have expressed their general approval of the ten
commandments. A healthy strain of moral feeling is useful, though we
cannot point to the individuals whom it has restrained from picking
pockets.
The defective side of the morality of good sense is, that it tends to
degenerate into cynicism, either of the indolent variety which commended
itself to Chesterfield, or of the more vehement sort, of which Swift's
writings are the most powerful embodiment. A shrewd man of the world,
of pl
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