and Leipsic the critics pronounced
it 'unfit for Germany,' but, upon Meyerbeer's recommendation,
it was accepted at Berlin, although no preparations were made
for its immediate representation.

'The Flying Dutchman' was first brought out at Dresden in 1843,
four years after the idea of this work had first suggested
itself to the illustrious composer, who conducted the orchestra
in person, while Madame Schroeder-Devrient sang the part of
Senta. The audience did not receive it very enthusiastically,
and, while some of the hearers were deeply moved, the majority
were simply astonished. No one at first seemed to appreciate
the opera at its full value except Spohr, who in connection
with it wrote: 'Der Fliegende Hollaender interests me in the
highest degree. The opera is imaginative, of noble invention,
well written for the voices, immensely difficult, rather overdone
as regards instrumentation, but full of novel effects; at the
theatre it is sure to prove clear and intelligible.... I have
come to the conclusion that among composers for the stage,
_pro tem._, Wagner is the most gifted.'

The legend upon which the whole opera is based is that a Dutch
captain once tried to double the Cape of Good Hope in the teeth
of a gale, swearing he would accomplish his purpose even if he
had to plough the main forever. This rash oath was overheard
by Satan, who condemned him to sail until the Judgment Day,
unless he could find a woman who would love him faithfully
until death. Once in every seven years only did the Devil allow
the Dutchman to land, in search of the maiden who might effect
his release.

In the first act of the opera, the seven years have just ended,
and Daland, a Norwegian captain, has been forced by a tempest
to anchor his vessel in a sheltered bay within a few miles
of his peaceful home, where Senta, his only daughter, awaits
him. All on board are sleeping, and the steersman alone keeps
watch over the anchored vessel, singing of the maiden he loves
and of the gifts he is bringing her from foreign lands. In the
midst of his song, the Flying Dutchman's black-masted vessel
with its red sails enters the cove, and casts anchor beside
the Norwegian ship, although no one seems aware of its approach.

The Dutchman, who has not noticed the vessel at anchor so near
him, springs eagerly ashore, breathing a sigh of relief at being
allowed to land once more, although he has but little hope of
finding the faithful woman who a