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They are ashamed to defend the Roman Catholic religion, because it is quite exploded; but I am convinced they believe it in their hearts. They hate the Parliaments and the philosophers, and are rejoiced that they may still idolise royalty. At present, too, they are a little triumphant: the Court has shown a little spirit, and the Parliaments much less: but as the Duc de Choiseul, who is very fluttering, unsettled, and inclined to the philosophers, has made a compromise with the Parliament of Bretagne, the Parliaments might venture out again, if, as I fancy will be the case, they are not glad to drop a cause, of which they began to be a little weary of the inconveniences. The generality of the men, and more than the generality are dull and empty. They have taken up gravity, thinking it was philosophy and English, and so have acquired nothing in the room of their natural levity and cheerfulness. However, as their high opinion of their own country remains, for which they can no longer assign any reason, they are contemptuous and reserved, instead of being ridiculously, consequently pardonably, impertinent. I have wondered, knowing my own countrymen, that we had attained such a superiority. I wonder no longer, and have a little more respect for English _heads_ than I had. The women do not seem of the same country: if they are less gay than they were, they are more informed, enough to make them very conversable. I know six or seven with very superior understandings; some of them with wit, or with softness, or very good sense. [Illustration: THOMAS GRAY, THE POET. _From a drawing in the National Portrait Gallery by James Basire, after a sketch by Gray's friend and biographer, the Rev. William Mason._] Madame Geoffrin, of whom you have heard much, is an extraordinary woman, with more common sense than I almost ever met with. Great quickness in discovering characters, penetration in going to the bottom of them, and a pencil that never fails in a likeness--seldom a favourable one. She exacts and preserves, spite of her birth and their nonsensical prejudices about nobility, great court and attention. This she acquires by a thousand little arts and offices of friendship: and by a freedom and severity, which seem to be her sole end of drawing a concourse to her; for she insists on scolding those she inveigles to her. She has little taste and less knowledge, but protects artisans and authors, and courts a few people to ha
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