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th his classic features, and Gray, full of the fire of lofty thought. In another chamber, I paused long before the ashes of Shakspeare; and while looking at the monument of Garrick, started to find that I stood upon his grave. What a glorious galaxy of genius is here collected--what a constellation of stars whose light is immortal! The mind is completely fettered by their spirit. Everything is forgotten but the mighty dead, who still "rule us from their urns." The Chapel of Henry VII., which we next entered, is one of the most elaborate specimens of Gothic workmanship in the world. If the first idea of the Gothic arch sprung from observing the forms of trees, this chapel must resemble the first conceptions of that order, for the fluted columns rise up like tall trees, branching out at the top into spreading capitals covered with leaves, and supporting arches of the ceiling resembling a leafy roof. The side-chapels are filled with tombs of knightly families, the husband and wife lying on their backs on the tombs, with their hands clasped, while their children, about the size of dolls, are kneeling around. Numberless are the Barons and Earls and Dukes, whose grim effigies stare from their tombs. In opposite chapels are the tombs of Mary and Elizabeth, and near the former that of Darnley. After having visited many of the scenes of her life, it was with no ordinary emotion that I stood by the sepulchre of Mary. How differently one looks upon it and upon that of the proud Elizabeth! We descended to the Chapel of Edward the Confessor, within the splendid shrine of which repose his ashes. Here we were shown the chair on which the English monarchs have been crowned for several hundred years, Under the seat is the stone, brought from the Abbey of Scone, whereon the Kings of Scotland were crowned. The chair is of oak, carved and hacked over with names, and on the bottom some one has recorded his name with the fact that, he once slept in it. We sat down and rested in it without ceremony. Passing along an aisle leading to the grand hall, we saw the tomb of Aymer de Valence, a knight of the Crusades. Near here is the hall where the Knights of the order of Bath met. Over each seat their dusty banners are still hanging, each with its crest, and their armor is rusting upon the wall. It seemed like a banqueting hall of the olden time, where the knights had left their seats for a moment vacant. Entering the nave, we were lost in the
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