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like a ringed and spotted serpent. The scene was like an immense circular picture in the blue frame of the hills around. Continuing our way up Fleet street, which, notwithstanding the gaiety of its shops and its constant bustle, has an antique appearance, we came to the Temple Bar, the western boundary of the ancient city. In the inside of the middle arch, the old gates are still standing. From this point we entered the new portion of the city, which wore an air of increasing splendor as we advanced. The appearance of the Strand and Trafalgar Square is truly magnificent. Fancy every house in Broadway a store, all built of light granite, the Park stripped of all its trees and paved with granite, and a lofty column in the centre, double the crowd and the tumult of business, and you will have some idea of the view. It was a relief to get into St. James's Park, among the trees and flowers again. Here, beautiful winding walks led around little lakes, in which were hundreds of water-fowl, swimming. Groups of merry children were sporting on the green lawn, enjoying their privilege of roaming every where at will, while the older bipeds were confined to the regular walks. At the western end stood Buckingham Palace, looking over the trees towards St. Paul's; through the grove on the eminence above, the towers of St. James's could be seen. But there was a dim building, with two lofty square towers, decorated with a profusion of pointed Gothic pinnacles, that I looked at with more interest than these appendages of royalty. I could not linger long in its vicinity, but going back again by the Horse Guards, took the road to _Westminster Abbey_. We approached by the general entrance, Poet's Corner. I hardly stopped to look at the elaborate exterior of Henry VIIth's Chapel, but passed on to the door. On entering, the first thing that met my eyes were the words, "OH RARE BEN JONSON," under his bust. Near by stood the monuments of Spenser and Gay, and a few paces further looked down the sublime countenance of Milton. Never was a spot so full of intense interest. The light was just dim enough to give it a solemn, religious appearance, making the marble forms of poets and philosophers so shadowy and impressive, that I felt as if standing in their living presence. Every step called up some mind linked with the associations of my childhood. There was the gentle feminine countenance of Thompson, and the majestic head of Dryden; Addison wi
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