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abaster. Numberless tombs, covered with elaborate ornamental work, fill the edifice. It gives one a singular feeling to stand at one end and look down the lofty hall, dim with incense smoke and dark with the weight of many centuries. On the way down again, we stepped into the St. Nicholas Church, which was built by the Jesuits. The interior has a rich effect, being all of brown and gold. The massive pillars are made to resemble reddish-brown marble, with gilded capitals, and the statues at the base are profusely ornamented in the same style. The music chained me there a long time. There was a grand organ, assisted by a full orchestra and large choir of singers. It was placed above, and at every sound of the priest's bell, the flourish of trumpets and deep roll of the drums filled the dome with a burst of quivering sound, while the giant pipes of the organ breathed out their full harmony and the very air shook under the peal. It was like a triumphal strain; the soul became filled with thoughts of power and glory--every sense was changed into one dim, indistinct emotion of rapture, which held the spirit as if spell-bound. I could almost forgive the Jesuits the superstition and bigotry they have planted in the minds of men, for the indescribable enjoyment that music gave. When it ceased, we went out to the world again, and the recollection of it seems now like a dream--but a dream whose influence will last longer than many a more palpable reality. Not far from this place is the palace of Wallenstein, in the same condition as when he inhabited it, and still in the possession of his descendants. It is a plain, large building, having beautiful gardens attached to it, which are open to the public. We went through the courtyard, threaded a passage with a roof of rough stalactitic rock, and entered the garden where a revolving fountain was casting up its glittering arches. Among the flowers at the other end of the garden there is a remarkable fountain. It is but a single jet of water which rises from the middle of a broad basin of woven wire, but by some means it sustains a hollow gilded ball, sometimes for many minutes at a time. When the ball drops, the sloping sides of the basin convey it directly to the fountain again, and it is carried up to dance a while longer on the top of the jet. I watched it once, thus supported on the water, for full fifteen minutes. There is another part of Prague which is not less interesting,
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