figure of Oscar Wilde, the author
has created a supernatural tale of challenging intricacy and
imaginative genius. The only other stories of the supernatural to find
place in the Committee's first list are Maxwell Struthers Burt's
"Buchanan Hears the Wind" and Mary Heaton Vorse's "The Halfway House."
In all of these, suggestion, delicately managed, is the potent element
of success.

Animals figure in vaster numbers and under intensive psychological
study. That a race-horse owner goes nowadays to the astrologer for a
horoscope of his racer is a fact that insinuatingly elevates the beast
to the plane of his master. In the short story of 1921, the monkey,
the tiger, the elephant, the dog and all their kind are treated from
an anthropomorphic point of view. Courtney Ryley Cooper's
titles--"Love" and "Vengeance," for example--covering stories
dominated by the animal character, betray the author's ascription of
human attributes to his hero or villain. "Reynardine," by Donn Byrne,
retails with haunting charm the friendship between the Fitzpauls and
the fox, in an instance that tests the friendship. Foxes, for Morgan
of the story, "took on for him now a strange, sinister entity.... They
had become to him a quasi-human, hypernormal race.... They had tabus
as strict as a Maori's. Strange, mystical laws."--"Corkran of the
Clamstretch" uniquely portrays the ugly and heroic "R.T.C." throughout
as a gentleman, "who met triumph with boredom," and "defeat, as a
great gentleman should, with quiet courtesy and good humour." Samuel
A. Derieux adds "Comet" to his list of superintelligent dogs in a
story the Committee regard as one of his best. It should be compared
with R.G. Kirk's "Gun-Shy" (_Saturday Evening Post_, October 22).
Similar in theme, in sympathy and in the struggle--that of a trainer
to overcome a noble dog's fear of the powder roar--the stories diverge
in the matter of workmanship. Yet "Gun-Shy" is based on a plot
superior to that of "Comet." Oddly enough, the Committee preferred not
one of the humanized-beast stories, but Edison Marshall's "The Heart
of Little Shikara." The preference was because of a number of counts,
however; moreover, the man eater takes second place beside Little
Shikara, whose bravery and loyalty motivate the thrilling climax of
the narrative. And it is just this: a superb story, with underscoring
for "story."

Anthropomorphism is found at its height in "A Life," by Wilbur Daniel
Steele. Dr. Edward