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e people getting out of the motor and going in--and another lot right after them--there's Madeline --she's stopped outside the window--she's looking in--it's starting to snow! Hullo! here's a man coming along! Why, it's the Roo; he's stopping to talk to her, and pointing in at the restaurant--Flick, flick! "LET ME TAKE YOU IN HERE TO DINNER." Oh, I see! The Roo says that! My! I'm getting on to the scheme of these things--the Roo is going to buy her some dinner! That's decent of him. He must have heard about her being hungry up in her room--say, I'm glad he came along. Look, there's a waiter come out to the door to show them in--what! she won't go! Say! I don't understand! Didn't it say he offered to take her in? Flick, flick! "I WOULD RATHER DIE THAN EAT IT." Gee! Why's that? What are all the audience applauding for? I must have missed something! Flick, flick! Oh, blazes! I'm getting lost! Where is she now? Back in her room--flick, flick--praying--flick, flick! She's out on the street!--flick, flick!--in the employment bureau --flick, flick!--out of it--flick--darn the thing! It changes too much--where is it all? What is it all--? Flick, flick! Now it's back at the old farm--I understand that all right, anyway! Same kitchen--same old man--same old woman--she's crying--who's this?--man in a sort of uniform--oh, I see, rural postal delivery--oh, yes, he brings them their letters--I see-- "NO, MR. MEADOWLARK, I AM SORRY, I HAVE STILL NO LETTER FOR YOU..." Flick! It's gone! Flick, flick--it's Madeline's room again--what's she doing?--writing a letter?--no, she's quit writing--she's tearing it up-- "I CANNOT WRITE. IT WOULD BREAK THEIR ..." Flick--missed it again! Break their something or other --Flick, flick! Now it's the farm again--oh, yes, that's the young man John Holdfast--he's got a valise in his hand--he must be going away--they're shaking hands with him--he's saying something-- "I WILL FIND HER FOR YOU IF I HAVE TO SEARCH ALL NEW YORK." He's off--there he goes through the gate--they're waving good-bye--flick--it's a railway depot--flick--it's New York--say! That's the Grand Central Depot! See the people buying tickets! My! isn't it lifelike?--and there's John--he's got here all right--I hope he finds her room-- The picture changed--where is it now? Oh, yes, I see --Madeline and the Roo--outside a street entrance to some place--he's tryin
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