elo, so convinced the latter of the truth of his vision that
Michelangelo after two days left Florence with a couple of comrades,
dreading that if what Cardiere had predicted should come true, he
would no longer be safe in Florence."

This ghost-story bears a remarkable resemblance to what Clarendon
relates concerning the apparition of Sir George Villiers. Wishing to
warn his son, the Duke of Buckingham, of his coming murder at the hand
of Lieutenant Felton, he did not appear to the Duke himself, but to an
old man-servant of the family; upon which behaviour of Sir George's
ghost the same criticism has been passed as on that of Lorenzo de'
Medici.

Michelangelo and his two friends travelled across the Apennines to
Bologna, and thence to Venice, where they stopped a few days. Want of
money, or perhaps of work there drove them back upon the road to
Florence. When they reached Bologna on the return journey, a curious
accident happened to the party. The master of the city, Giovanni
Bentivoglio, had recently decreed that every foreigner, on entering
the gates, should be marked with a seal of red wax upon his thumb. The
three Florentines omitted to obey this regulation, and were taken to
the office of the Customs, where they were fined fifty Bolognese
pounds. Michelangelo did not possess enough to pay this fine; but it
so happened that a Bolognese nobleman called Gianfrancesco Aldovrandi
was there, who, hearing that Buonarroti was a sculptor, caused the men
to be released. Upon his urgent invitation, Michelangelo went to this
gentleman's house, after taking leave of his two friends and giving
them all the money in his pocket. With Messer Aldovrandi he remained
more than a year, much honoured by his new patron, who took great
delight in his genius; "and every evening he made Michelangelo read
aloud to him out of Dante or Petrarch, and sometimes Boccaccio, until
he went to sleep." He also worked upon the tomb of San Domenico during
this first residence at Bologna. Originally designed and carried
forward by Niccolo Pisano, this elaborate specimen of mediaeval
sculpture remained in some points imperfect. There was a San Petronio
whose drapery, begun by Niccolo da Bari, was unfinished. To this
statue Michelangelo put the last touches; and he also carved a
kneeling angel with a candelabrum, the workmanship of which surpasses
in delicacy of execution all the other figures on the tomb.

III

Michelangelo left Bologna hastily. I