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an additional shock that this was Alison's brother and Eldon Parr's son. Not that his appearance was shocking, although the well-clad, athletic figure was growing a trifle heavy, and the light from the side lamps of the car revealed dissipation in a still handsome face. The effect was a subtler one, not to be analyzed, and due to a multitude of preconceptions. Alison came forward. "This is Mr. Hodder, Preston," she said simply. For a moment Preston continued to stare at the rector without speaking. Suddenly he put out his hand. "Mr. Hodder, of St. John's?" he demanded. "Yes," answered Hodder. His surprise deepened to perplexity at the warmth of the handclasp that followed. A smile that brought back vividly to Hodder the sunny expression of the schoolboy in the picture lightened the features of the man. "I'm very glad to see you," he said, in a tone that left no doubt of its genuine quality. "Thank you," Hodder replied, meeting his eye with kindness, yet with a scrutiny that sought to penetrate the secret of an unexpected cordiality. "I, too, have hoped to see you." Alison, who stood by wondering, felt a meaning behind the rector's words. She pressed his hand as he bade her, once more, good night. "Won't you take my taxicab?" asked Preston. "It is going down town anyway." "I think I'd better stick to the street cars," Hodder said. His refusal was not ungraceful, but firm. Preston did not insist. In spite of the events of that evening, which he went over again and again as the midnight car carried him eastward, in spite of a new-born happiness the actuality of which was still difficult to grasp, Hodder was vaguely troubled when he thought of Preston Parr. End of the Project Gutenberg EBook of The Inside of the Cup, Volume 7 by Winston Churchill *** END OF THIS PROJECT GUTENBERG EBOOK THE INSIDE OF THE CUP, VOLUME 7 *** ***** This file should be named 5362.txt or 5362.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/3/6/5362/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in th
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