em.

A woman should not paint sentiment until she has ceased to inspire it.

It is less difficult for a woman to obtain celebrity by her genius than
to be pardoned for it.

Memory seldom fails when its office is to show us the tombs of our
buried hopes.

BYRON AND THE COUNTESS GUICCIOLI

In 1812, when he was in his twenty-fourth year, Lord Byron was more
talked of than any other man in London. He was in the first flush of his
brilliant career, having published the early cantos of "Childe Harold."
Moreover, he was a peer of the realm, handsome, ardent, and possessing a
personal fascination which few men and still fewer women could resist.

Byron's childhood had been one to excite in him strong feelings of
revolt, and he had inherited a profligate and passionate nature. His
father was a gambler and a spendthrift. His mother was eccentric to a
degree. Byron himself, throughout his boyish years, had been morbidly
sensitive because of a physical deformity--a lame, misshapen foot.
This and the strange treatment which his mother accorded him left him
headstrong, wilful, almost from the first an enemy to whatever was
established and conventional.

As a boy, he was remarkable for the sentimental attachments which he
formed. At eight years of age he was violently in love with a young girl
named Mary Duff. At ten his cousin, Margaret Parker, excited in him a
strange, un-childish passion. At fifteen came one of the greatest
crises of his life, when he became enamored of Mary Chaworth, whose
grand-father had been killed in a duel by Byron's great-uncle. Young as
he was, he would have married her immediately; but Miss Chaworth was
two years older than he, and absolutely refused to take seriously the
devotion of a school-boy.

Byron felt the disappointment keenly; and after a short stay at
Cambridge, he left England, visited Portugal and Spain, and traveled
eastward as far as Greece and Turkey. At Athens he wrote the pretty
little poem to the "maid of Athens"--Miss Theresa Macri, daughter of
the British vice-consul. He returned to London to become at one leap the
most admired poet of the day and the greatest social favorite. He was
possessed of striking personal beauty. Sir Walter Scott said of him:
"His countenance was a thing to dream of." His glorious eyes, his
mobile, eloquent face, fascinated all; and he was, besides, a genius of
the first rank.

With these endowments, he plunged into the social whirlpool, de