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not to-day, While my dear flowers, my own, are far away. Be patient, bud! to-morrow soon will come: Ah! blossom when my little girl comes home!" But now. But here. The empty house, the always empty place-- The black remembrance that no night blots out, The memories, white, unbearable, and dear That no white sunlight makes less cruel and clear? The resistless riotous rout Of cruel conquering thoughts, the night, the day? Love is immortal: this the price to pay. Worse than all pain it would be to forget-- On Love's brave brow the crown of thorns is set. Love is no niggard: though the price be high Into God's market Love goes forth to buy With royal meed God's greatest gifts and gain, Love offers up his whole rich store of pain, And buys of God Love's immortality. FOR DOROTHY, 18th August, 1900. A PARTING. I WILL not wake you, dear; no tears shall creep To chill the still bed where you lie asleep; No cry, no word, shall break the sanctity Of the great silence where God lets you lie. I will not tease your grave with flower or stone; You are tired, my heart; you shall be left alone. And even the kisses that my lips must lay Upon the mould of the triumphant clay Shall be so soft--like those a mother lays Upon her sleeping baby's little face-- You will not feel my kisses, will not hear; You are tired: sleep on, I will not wake you, dear! But when the good day comes, you will hear me cry, "Ah, make a little place where I can lie!" And half awakened, you will feel me creep Into the folds of your familiar sleep, And draw them round us, with a tender moan, "How could you let me sleep so long alone?" End of the Project Gutenberg EBook of The Rainbow and the Rose, by E. Nesbit *** END OF THIS PROJECT GUTENBERG EBOOK THE RAINBOW AND THE ROSE *** ***** This file should be named 4513.txt or 4513.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/5/1/4513/ Produced by Charles Aldarondo. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the G
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