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hat you promised me among those distant palaces? Do I behold you carrying that destruction through the dwellings of Rome, which the soldiers of yonder city carried through the dwellings of the Goths? Is it for plunder or for glory that the army is here? I thought, in my woman's delusion, that it was for revenge!' 'Dishonour will avenge you--Famine will avenge you--Pestilence will avenge you!' 'They will avenge my nation; they will not avenge me. I have seen the blood of Gothic women spilt around me--I have looked on my children's corpses bleeding at my feet! Will a famine that I cannot see, and a pestilence that I cannot watch, give me vengeance for this? Look! Here is the helmet-crest of my husband and your brother--the helmet-crest that was flung to me as a witness that the Romans had slain him! Since the massacre of Aquileia it has never quitted my bosom. I have sworn that the blood which stains and darkens it, shall be washed off in the blood of the people of Rome. Though I should perish under those accursed walls; though you in your soulless patience should refuse me protection and aid; I, widowed, weakened, forsaken as I am, will hold to the fulfilment of my oath!' As she ceased she folded the crest in her mantle, and turned abruptly from Hermanric in bitter and undissembled scorn. All the attributes of her sex, in thought, expression, and manner, seemed to have deserted her. The very tones she spoke in were harsh and unwomanly. Every word she had uttered, every action she had displayed, had sunk into the inmost heart, had stirred the fiercest passions of the young warrior whom she addressed. The first national sentiment discoverable in the day-spring of the ages of Gothic history, is the love of war; but the second is the reverence of woman. This latter feeling--especially remarkable among so fierce and unsusceptible a people as the ancient Scandinavians--was entirely unconnected with those strong attaching ties, which are the natural consequence of the warm temperaments of more southern nations; for love was numbered with the base inferior passions, in the frigid and hardy composition of the warrior of the north. It was the offspring of reasoning and observation, not of instinctive sentiment and momentary impulse. In the wild, poetical code of the old Gothic superstition was one axiom, closely and strangely approximating to an important theory in the Christian scheme--the watchfulness of
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