FREE BOOKS

Author's List




PREV.   NEXT  
|<   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277  
278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   >>   >|  
ience of my own, however, subsequently enlightened me as to the possible nervous effect of such immobility and strained attention. My friend Sir Frederick Leighton, despairing of finding a model to assume a sufficiently dramatic expression of wickedness for a picture he was painting of Jezebel, was deploring his difficulty one day, when Henry Greville, who was standing by, said to him, "Why don't you ask her"--pointing to me--"to do it for you?" Leighton expressed some kindly reluctance to put my countenance to such a use; but I had not the slightest objection to stand for Jezebel, if by so doing I could help him out of his dilemma. So to his studio I went, ascended his platform, and having been duly placed in the attitude required, and instructed on what precise point of the wall opposite to me to fix my eyes, I fell to thinking of the scene the picture represented, of the meeting between Ahab and his wicked queen with Elijah on the threshold of Naboth's vineyard, endeavoring, after my old stage fashion, to assume as thoroughly as possible the character which I was representing. Before I had retained the constrained attitude and fixed immovable gaze for more than a short time, my eyes grew dim, the wall I was glaring at seemed to waver about before me, I turned sick, a cold perspiration broke out on my forehead, my ears buzzed, my knees trembled, my heart throbbed, and I suppose I was not far from a fainting fit. I sat abruptly down on the platform, and called my friendly artist to my assistance, describing to him my sensations, and asking if he could explain what had occasioned them. He expressed remorseful distress at having subjected me to such annoyance, saying, however, that my condition was not an uncommon one for painters' models to be thrown into by the nervous strain of the fixed look and attention, and rigid immobility of position, required of them; that he had known men succumb to it on a first experiment, but had thought me so strong, and so little liable to any purely nervous affection, that it had never occurred to him for a moment that there was any danger of my being thus overcome. I recovered almost immediately, the nervous strain being taken off, and resumed my duty as a model, taking care to vary my expression and attitude whenever I felt at all weary, and
PREV.   NEXT  
|<   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277  
278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   >>   >|  



Top keywords:

nervous

 

attitude

 

expressed

 

required

 

platform

 

strain

 
picture
 

Leighton

 
expression
 
attention

Jezebel

 
assume
 
immobility
 

called

 
fainting
 

friendly

 
abruptly
 

sensations

 
occasioned
 

explain


assistance

 
describing
 

artist

 

suppose

 

turned

 

glaring

 

perspiration

 

trembled

 

throbbed

 

buzzed


forehead

 

annoyance

 

succumb

 
experiment
 
thought
 

recovered

 

position

 

overcome

 

strong

 

occurred


moment

 

affection

 
purely
 

liable

 
condition
 
taking
 

danger

 
remorseful
 
distress
 

subjected