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- heard her aunt sing was one night after she was in bed (she sleeps in my room, where one does not lose a note of the music below). When I went up, I found her wide awake, and she started up in her bed, exclaiming, "Well, how many angels have you got down there, I should like to know?" I wrote thus much this morning, dear Harriet; this evening I have another quiet season in which to resume my pen.... I have been obliged to give up my dinner engagement for to-day, and I sat down by the failing light of half-past seven o'clock to eat a cold dinner alone, with a book in my hand: which combination of circumstances reminded me so forcibly of my American home, that I could hardly make out whether I was here or there. So far yesterday, Thursday evening; it is now Friday morning. Adelaide has gone out with Mary Anne Thackeray to buy cheap gowns at a bankrupt shop in Regent Street; the piano is silent, and I can hear myself think, and have some consciousness of what I am writing about.... Dearest Harriet, it is now Sunday morning; there is a most stupendous row at the pianoforte, and, luckily, there is no more space in this paper for my addled brains to testify to the effect of this musical tempest. God bless you. Ever yours, FANNY. CLARGES STREET, Wednesday, June 23rd, 1841. MY DEAREST HARRIET, You asked me some time ago some questions about Rachel, which I never answered, in the first place because I had not seen her then, and since I have seen her I have had other things I wanted to say. Everybody here is now raving about her. I have only seen her once on the stage, and heard her declaim at Stafford House, the morning of the concert for the Poles. Her appearance is very striking: she is of a very good height; too thin for beauty, but not for dignity or grace; her want of chest and breadth indeed almost suggest a tendency to pulmonary disease, coupled with her pallor and her youth (she is only just twenty). Her voice is the most remarkable of her natural qualifications for her vocation, being the deepest and most sonorous voice I ever heard from a woman's lips: it wants brilliancy, variety, and tenderness; but it is like a fine, deep-toned bell, and expresses admirably the passions in the delineation of which she excels--scorn, hatred, revenge, vitriolic irony, concentrated rage, seething
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