mbing Plants_.

{58b} _Galium aparine_.

{63a} _Literary Studies_, Vol. 1., p. 303.

{63b} _Memoir_, p. 155.

{64a} _Memoir_, p. 147.

{64b} _Ibid._, p. 132.

{66} _Memoir_, p. 148.

{73} Memoir, p. 348.

{74a} Not the Royal residence of that name.

{74b} Mr. Austen Leigh, _Memoir_, p. 140, quotes from Sir Denis Le
Marchant that Fanny Price was a "prime favourite" of Sydney Smith. Mr.
F. Myers I remember speaking to me of his especial admiration for
_Mansfield Park_ and Fanny.

{82} _Times_, Dec 6, 1910, _Educational Supplement_.

{85} See, however, a footnote in No. IX. of this volume, p. 141.

{94} _Studies in Literature_, 1891, p. 100.

{98} The military drum and fife band is spoken of as "the drums"; there
is no such person as a fifer, he is described as a drummer.

{100a} _The Elements of Musick Display'd_, etc., by William Tans'ur,
Senior Musico Theorico, London, 1772, p. 103.

{100b} It is a pleasure to express my indebtedness to Mr. Cockerell,
Director of the Fitzwilliam Museum at Cambridge, for his kindness in
searching, in my interest, for old illustrations of the pipe and tabor.
I have given some account of them in an appendix to this essay.

{102a} Kemp's _Nine Daies Wonder_: _Performed in a Daunce from London to
Norwich_, by A. Dyce, Camden Society, 1840.

{102b} See Strutt's _Sports and Pastimes_, Edit. 2, 1810, Plate XIV., p.
124.

{103a} Welch, Christopher. _Six Lectures on the Recorder and other
flutes in relation to Literature_, 1911, p. 255.

{103b} Recorders used to be known as flutes, while what we call flutes
were described as German or transverse flutes. Purists desire to revive
this nomenclature, and would call the taborer's pipe a flute or
fipple-flute.

{104a} For details of the fingering see the appendix to this article.

{104b} Praetorius, _Organographia_, being the second volume of his
_Systagma Musici_, 1618, where a figure is given in Plate IX. See
Breitkopf and Hartel's reprint of Praetorius, also Galpin's _Old English
Instruments of Music_, 1910.

{105a} See also Mahillon, _Catalogue descriptif et analytique du Music
instrumental du Conservatoire royal de Bruxelle_, 1909, Vol 2, p. 282.

{105b} _Harmonie Universelle, contenant la theorie et la pratique ce la
musique_, by M. Mersenne, Fol. 1636-7, Vol II, p. 232.

{105c} Stanford and Forsyth _History of Music_, 1916, p. 44.

{106} _Op. Cit._ 1912, Vol 4, p. 214.

{107} See p.