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Cambridge. {192b} Given by the Sovereign on the nomination of the Royal Society. {193} Re-elected in 1912. {194} The above list is principally taken from that compiled by Sir George for the Year-Book of the Royal Society, 1912, and may not be quite complete. It should be added that he especially valued the honour conferred on him in the publication of his collected papers by the Syndics of the University Press. {195} _Dictionary of Music_, ed. I., s.v., March. {198a} _Dictionary of Music_, s.v., March. {198b} _Dictionary of Music_, s.v. Sergeant Trumpeter. When the office was revived in 1858 it was given to a clarinet player and then to a bassoonist. Before this date it was not even necessary to be a musician to hold the office. The salary is 100 pounds per annum. {199} _The British Campaign in France and Flanders_, 1914, pp. 117 and 118. {201} An Address given at Birkbeck College, London, on September 29th, 1913. {210} See p. 50. {212} A new method of estimating the aperture of stomata. B., Vol. 84, 1911. {215a} _Phil. Trans._, B. vol 190, 1898. {215b} See above, p. 136. {219} Quoted by Professor A. C. Bradley in his _Oxford Lectures on Poetry_, 1909, p. 341. {220a} _Descent of Man_, 1871, Vol. 1., p. 75. {220b} Charles Darwin's _Journal of Researches_, etc., ed. 1860, p. 214. {223} _Memories and Portraits_. {226} _Crainquebille, Riquet_, etc., (n.d.) {227} _Oxford Lectures on Poetry_, 1909, pp. 340, 341. {229a} _David Copperfield_, Chap. xix. {229b} "Its board and lodging to me, is smoke." _Pickwick_, Chap. xx. {229c} In _Hard Times_, Chap. viii. I have ventured to omit the elaborate lisp with which Mr. "Thleary" speaks in the original. {230a} See for instance the _Life and Letters of Charles Darwin_, Vol 1, p. 113. {230b} C. T. Forster's _Life and letters of Ogier de Busbecq_, 1881. ***END OF THE PROJECT GUTENBERG EBOOK RUSTIC SOUNDS*** ******* This file should be named 34006.txt or 34006.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/4/0/0/34006 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and witho
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