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and lofty arches and area, were nearly filled with sacks, containing that grain which is precious to all nations, but to none more than the french; to a frenchman, bread is most emphatically the staff of life. He consumes more of it at one meal than an englishman does at four. In France, the little comparative quantity of bread which the english consume, is considered to form a part of their national character. Before I left Paris, I was requested to visit a very curious and interesting exhibition, the Museum of French Monuments; for the reception of which, the ancient convent of the monks of the Order of les Petits Augustines, is appropriated. This national institution is intended to exhibit the progress of monumental taste in France, for several centuries past, the specimens of which have chiefly been collected from St. Denis, which formerly was the burial place of the monarchs of France, and from other churches. [Illustration: _Museum of French Monuments._] It will be remembered by the reader, that in the year 1793, Henriot, a vulgar and furious republican, proposed setting off for the former church, at the head of the sans culottes, to destroy all these curious and valuable relics, "to strike," as he said, "the tyrants in their tombs," but was prevented by some other republicans of influence, who had not parted with their veneration for works of taste, from this impious and impotent outrage. In the first hall, which is very large, and impresses a similar awe to that which is generally felt upon entering a cathedral, are the tombs of the twelfth century. Amongst them I chiefly distinguished that of Henry II, upon which are three beautiful mourning figures, supporting a cup, containing his heart. In the second hall, are the monuments of the thirteenth century, most of them are very fine; that of Lewis the XIIth and his queen, is well worthy of notice. I did not find much to gratify me in the hall of the fourteenth century. In that of the fifteenth century are several noble tombs, and beautiful windows of stained glass. In the hall of the sixteenth century is a fine statue of Henry the IVth, by Franchville, which is considered to be an admirable likeness of that wonderful man. In the hall of the seventeenth century, is a noble figure, representing religion, by Girardon. In the cloisters are several curious statues, stained glass windows, and tesselated pavement. There is here also a good bust of Alexis Peron
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