FREE BOOKS

Author's List




PREV.   NEXT  
|<   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29  
30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   >>   >|  
usness of his presence that ruled my mood. This world was _his_ world; this England _his_ England; this London was _his_ London and that of all children. It was for them that the failure mattered. So I thought, tormented, tortured with pain and impatience. Leaving the Strand, we turned down one of the narrow streets near to the Savoy Hotel, I forget which one it was, and walked to the Embankment. We came out not far from Charing Cross Bridge and looked down over the long sweep of the water. The evening sky was a dull gray, almost black, but the rain had ceased to fall, and just then above us there was a break as if the absent moon was working to cut the clouds adrift. A kind of luminous darkness closed around us. It was beautiful. The massed buildings rose a blurred outline between the river and the sky like great beasts crouching and ready to spring, while through the steel-black circlings of the bridge row after row of lights sparkled and glowed, and blurs of color, amber to warm orange, splashed upon the river. On the other side, behind us, the big hotels all were lighted, and the unaccustomed illumination appeared to give too full a flood of light to be quite real. Ever and anon rockets shot up into the gray and fell in burning rain, and every color was reflected in diminishing shades, above in that one luminous patch of sky, and below in the pallid, rippled water. Yes, the scene was beautiful, perfect as a dream-city one could desire; all the elements "composed" in the painter's sense, and in arrogance of soul I felt that the beautiful effect had been arranged for me: that it was like a faultless piece of scene-painting, only there is no artist who could paint it. I watched in silence as my son talked at my side. Here there was almost no noise; reports of motors and the harsh clang of shouting echoed, but in the distance. After the crowds we had left, the wide roadway appeared deserted, and the quiet made it easy for me to urge myself past my despair. One moment at least I had in which I was conscious again of a spirit and quality in life; the immense forces working on while the city rioted its victory. But it all goes so slowly--not fast enough! The night became darker, the gray rift in the clouds narrowed and closed, a few great drops of rain fell heavily. Around us the air blew chill, the trees, whose points stood out jet black among the sweeping line of the still shrouded Embankment lamps, murmured with in
PREV.   NEXT  
|<   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29  
30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   >>   >|  



Top keywords:
beautiful
 

working

 

appeared

 
closed
 

luminous

 
clouds
 

London

 

Embankment

 

England

 

artist


painting

 
watched
 

motors

 

reports

 

silence

 

faultless

 

talked

 

sweeping

 

shrouded

 
perfect

murmured

 

pallid

 
rippled
 

desire

 

effect

 

shouting

 

arrogance

 
elements
 

composed

 
painter

arranged

 

narrowed

 

darker

 

quality

 
conscious
 

spirit

 

victory

 
rioted
 

immense

 

forces


shades

 
heavily
 

roadway

 

deserted

 

crowds

 

points

 

slowly

 

distance

 

despair

 

Around