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The Project Gutenberg EBook of The Dog's Book of Verse, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Dog's Book of Verse Author: Various Release Date: September 9, 2006 [EBook #19226] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE DOG'S BOOK OF VERSE *** Produced by David Edwards, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) The Dog's Book of Verse Collected by J. Earl Clauson "'I never barked when out of season; I never bit without a reason; I ne'er insulted weaker brother, Nor wronged by fraud or force another;' Though brutes are placed a rank below, Happy for man could he say so." [Illustration: Crest] Boston Small, Maynard & Company Publishers Copyright, 1916 BY SMALL, MAYNARD & COMPANY (INCORPORATED) TO THE MEMORY OF JACK, AN AIREDALE PREFACE Matthew Arnold, explaining why those were his most popular poems which dealt with his canine pets, Geist, Kaiser, and Max, said that while comparatively few loved poetry, nearly everyone loved dogs. The literature of the Anglo-Saxon is rich in tributes to the dog, as becomes a race which beyond any other has understood and developed its four-footed companions. Canine heroes whose intelligence and faithfulness our prose writers have celebrated start to the memory in scores--Bill Sykes's white shadow, which refused to be separated from its master even by death; Rab, savagely devoted; the immortal Bob, "son of battle"--true souls all, with hardly a villain among them for artistic contrast. Even Red Wull, the killer, we admire for his courage and lealty. Within these covers is a selection from a large body of dog verse. It is a selection made on the principle of human appeal. Dialect, and the poems of the earlier writers whose diction strikes oddly on our modern ears, have for the most part been omitted. The place of such classics as may be missed is filled by that vagrant verse whic
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