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more unfortunate, than an orator delivering stale indignation, and fervour of a week old; turning over whole pages of violent passions, written out in German text; reading the tropes and metaphors into which he is hurried by the ardour of his mind; and so affected, at a preconcerted line and page, that he is unable to proceed any further?" This criticism was perfectly true of sermons forty years ago, when it was written. Times are changed since, and changed for the better. The pulpit is no longer ashamed of the doctrines of Christianity, as too harsh for the ears of a classic audience, or too familiar for the ears of the people. Still there are no rewards in the Church, for that great faculty, or rather that great combination of faculties, which commands all the honours of the senate and the bar. A clerical Demosthenes might find his triumph in the shillings of a charity sermon, but he must never hope for a Stall. We now revert to the curious, inquisitive, and gossiping historian of the time. Walpole, fond of French manners, delighting in the easy sarcasm, and almost saucy levity, of French "Memoirs," and adopting, in all its extent, the confession, (then so fashionable on the Continent,) that the perfection of writing was to be formed in their lively _persiflage_, evidently modelled his "History" on the style of the Sevignes and St Simons. But he was altogether their superior. If he had been a chamberlain in the court of Louis XV., he might have been as frivolously witty, and as laughingly sarcastic, as any Frenchman who ever sat at the feet of a court mistress, or whoever looked for fame among the sallies of a _petit souper_. But England was an atmosphere which compelled him to a manlier course. The storms of party were not to be stemmed by a wing of gossamer. The writer had bold facts, strong principles, and the struggles of powerful minds to deal with, and their study gave him a strength not his own. Walpole was fond of having a hero. In private life, George Selwyn was his Admirable Crichton; in public, Charles Townshend. Charles was unquestionably a man of wit. Yet his wit rather consisted in dexterity of language than in brilliancy of conception. He was also eloquent in Parliament; though his charm evidently consisted more in happiness of phrase, than in richness, variety, or vigour, of thought. On the whole, he seems to have been made to amuse rather than to impress, and to give a high conception of his ge
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