FREE BOOKS

Author's List




PREV.   NEXT  
|<   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144  
>>  
etty. But much as I should like to discuss the decay of English Society and the English nation, I feel that such lofty themes are beyond my reach. I am concerned only with the so-called decay of humbler things, the abstract manifestations of the human intellect, the Arts and Sciences. And lest, weary at the end of my discourse, you forget the argument or miss it, let me state at once what I wish to suggest, nay, what I wish to assert, _there is no such thing as decay_. Decay is an intellectual Mrs. Harris, a highly useful entity wherewith the journalistic Gamps try to frighten Betsy Prig. Of course an obvious objection to my assertion is the truism that everything has a life; and that towards the end of that natural life we are correct in speaking of approaching decay. With physical phenomena, however, I am not dealing, though I may say, by the way, that there are many examples of human intellect maturing in middle life or extreme old age. William Blake's masterpiece, the illustrations to the Book of Job, were executed when he was sixty-eight, a few years before his death. The late Lord Kelvin is an example of an unimpaired intellect. Still, it must be admitted that while nations may be destroyed by conquest, or by conquering too much and becoming absorbed by the conquered, and that ancient buildings may be pulled down or restored, so, too, conventions in literature and schools of art have been brought to an end by war, plague, or death--ostensibly brought to an end. But it is an error to suppose that art or literature, because their development was artificially arrested, were in a state of decay. The favourite object-lesson of our childhood was the Roman Empire. 'Here's richness,' as Mr. Squeers said, here was decline, and Gibbon wrote his prose epic from that point of view. I hardly dare to differ with the greatest of English historians, but if we approach his work in the scientific spirit with which we should always regard history, we shall find that Gibbon draws false deductions from the undisputed facts, the unchallenged assertions of his history. Commencing with the Roman Empire almost in its cradle, he sees in every twist of the infant limbs prognostications of premature decline in a dispensation which by his own computation lasted over fourteen hundred years. It is safe enough to prophesy about the past. Everything I admit has a life, but I do not consider old age decay any more than I think exuber
PREV.   NEXT  
|<   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144  
>>  



Top keywords:

English

 

intellect

 

decline

 

Empire

 
Gibbon
 
history
 

brought

 

literature

 

discuss

 

richness


Squeers
 

differ

 
greatest
 
historians
 

Society

 
plague
 

ostensibly

 

schools

 
restored
 
conventions

suppose

 

object

 
lesson
 

childhood

 
favourite
 
arrested
 

development

 
artificially
 
nation
 

hundred


fourteen
 
lasted
 

premature

 

dispensation

 

computation

 

prophesy

 

exuber

 

Everything

 

prognostications

 

deductions


regard
 

pulled

 

scientific

 
spirit
 
undisputed
 

infant

 

cradle

 

unchallenged

 

assertions

 
Commencing