FREE BOOKS

Author's List




PREV.   NEXT  
|<   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83  
84   85   86   87   88   89   90   >>  
le. Had not the troubadours developed their theory of courtly love, with its influence upon human nature, we cannot say what course early Italian literature might have run. Moreover, the troubadours provided Italy and other countries also with perfect models of poetical form. The sonnet, the terza rima and any other form used by Dante are of Provencal origin. And what is true of Dante and his Beatrice is no less true of Petrarch and his Laura and of many another who may be sought in histories specially devoted to this subject. CHAPTER VIII [109] THE TROUBADOURS IN SPAIN The South of France had been connected with the North of Spain from a period long antecedent to the first appearance of troubadour poetry. As early as the Visigoth period, Catalonia had been united to Southern France; in the case of this province the tie was further strengthened by community of language. On the western side of the Pyrenees a steady stream of pilgrims entered the Spanish peninsula on their way to the shrine of St James of Compostella in Galicia; this road was, indeed, known in Spain as the "French road." Catalonia was again united with Provence by the marriage of Raimon Berengar III. with a Provencal heiress in 1112. As the counts of Barcelona and the kings of Aragon held possessions in Southern France, communications between the two countries were naturally frequent. We have already had occasion to refer to the visits of various troubadours to the courts of Spain. The "reconquista," the reconquest of Spain from the Moors, was in progress during the twelfth and thirteenth centuries, and various crusade poems were written by troubadours [110] summoning help to the Spaniards in their struggles. Marcabrun was the author of one of the earliest of these, composed for the benefit of Alfonso VIII. of Castile and possibly referring to his expedition against the Moors in 1147, which was undertaken in conjunction with the kings of Navarre and Aragon. The poem is interesting for its repetition of the word _lavador_ or piscina, used as an emblem of the crusade in which the participants would be cleansed of their sins.[32] Pax in nomine Domini! Fetz Marcabrus los motz e.l so. Aujatz que di: Cum nos a fait per sa doussor, Lo Seignorius celestiaus Probet de nos un lavador C'ane, fors outramar, no.n' fon taus, En de lai deves Josaphas: E d'aques
PREV.   NEXT  
|<   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83  
84   85   86   87   88   89   90   >>  



Top keywords:

troubadours

 

France

 

Provencal

 

period

 

Catalonia

 

lavador

 
Southern
 

united

 

crusade

 

Aragon


countries
 

benefit

 

composed

 

frequent

 

Alfonso

 

naturally

 

possibly

 

expedition

 
referring
 

earliest


Castile

 
twelfth
 

thirteenth

 

centuries

 

occasion

 
progress
 

reconquista

 
reconquest
 

visits

 

Marcabrun


courts

 

author

 

struggles

 

Spaniards

 

written

 

summoning

 

Aujatz

 
outramar
 

celestiaus

 

Seignorius


Probet
 
doussor
 

Marcabrus

 
interesting
 
repetition
 
Josaphas
 

conjunction

 

Navarre

 

piscina

 

nomine