f patriarchal serenity.
The Dutch artists studied these animals in all their varieties, in
all their habits, and divined, as one may say, their inner life and
sentiments, animating the tranquil beauty of the landscape with their
forms. Rubens, Luyders, Paul de Vos, and other Belgian painters, had
drawn animals with admirable mastery, but all these are surpassed by
the Dutch artists, Van der Velde, Berghum, Karel der Jardin, and by
the prince of animal painters, Paul Potter, whose famous "Bull," in
the gallery of The Hague, deserves to be placed in the Vatican beside
the "Transfiguration" by Rafael.
In yet another field are the Dutch painters great--the sea. The sea,
their enemy, their power, and their glory, forever threatening their
country, and entering in a hundred ways into their lives and fortunes;
that turbulent North Sea, full of sinister colors, with a light of
infinite melancholy beating forever upon a desolate coast, must
subjugate the imagination of the artist. He, indeed, passes long hours
on the shore, contemplating its tremendous beauty, ventures upon its
waves to study the effects of tempests, buys a vessel and sails with
his wife and family, observing and making notes, follows the fleet
into battle, and takes part in the fight, and in this way are made
marine painters like William Van der Velde the elder, and William the
younger, like Backhuysen, Dubbels, and Stork.
Another kind of painting was to arise in Holland, as the expression of
the character of the people and of republican manners. A people that
without greatness had done so many great things, as Michelet says,
must have its heroic painters, if we call them so, destined to
illustrate men and events. But this school of painting--precisely
because the people were without greatness, or, to express it better,
without form of greatness, modest, inclined to consider all equal
before the country, because all had done their duty, abhorring
adulation, and the glorification in one only of the virtues and the
triumph of many--this school has to illustrate not a few men who
have excelled, and a few extraordinary facts, but all classes of
citizenship gathered among the most ordinary and pacific of burgher
life.
From this come the great pictures which represent five, ten, thirty
persons together, arquebusiers, mayors, officers, professors,
magistrates, administrators, seated or standing around a table,
feasting and conversing, of life size, most faith
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