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is sentence in the letter to Manning of February 15, 1801:--"I lately received from Wordsworth a copy of the second volume [of the _Lyrical Ballads_] accompanied by an acknowledgment of having received from me _many months since_ a copy of a certain Tragedy, with excuses for not having made any acknowledgment sooner." Lamb's reply to Wordsworth (January 30, 1801) is so very dry--"Thank you for Liking my Play!!"--that we may suppose that Wordsworth's expression of "liking" was not very enthusiastic. Things become clearer when we reach November 3, 1800, on which day Lamb thus addressed Manning (I quote verbatim from the original letter):--"At last I have written to Kemble to know the event of my play, which was presented last Christmas. As I suspected, came an answer back that the copy was lost ... with a courteous (reasonable!) request of another copy (if I had one by me), and a promise of a definite answer in a week. I could not resist so facile and moderate demand: so scribbled out another, omitting sundry things, such as the witch story, about half the forest scene (which is too leisurely for _story_), and transposing that damn'd soliloquy about England getting drunk, which like its reciter stupidly stood alone nothing prevenient, or antevenient, and cleared away a good deal besides ... I sent it last night, and am in weekly expectation of the Tolling Bell and death warrant." It will be observed that that second copy sent to Kemble must have differed essentially from the one sent to Manning, for the latter includes the witch story, and retains in its original place the soliloquy about England getting drunk. To this copy sent to Manning we now come in chronological order, but the exact date of its despatch must remain uncertain. Clearly it was subsequent, but probably not long subsequent, to Kemble's rejection of the play, which took place soon after All Souls' Day, for Kemble must have made up his mind within half an hour of taking up the manuscript. I venture to assume that the argosy which bore all the treasures recounted in the following bill of lading sailed about Christmas, 1800. It is sad to think that the bill of lading itself and the MS. of "Pride's Cure" are the only salvage. "I send you all of Coleridge's letters to me which I have preserved; some of them are upon the subject of my play. I also send you Kemble's two letters, and the prompter's courteous epistle, with a curious critique on 'Pride's
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